Members collage

This is another group collage that the Orme Art Group did during lock-down. We each did a part of this Picasso painting and then submitted them to one of the group to stitch them together. I can’t remember which bit was mine. It’s interesting because although we were copying from the original you can see different techniques for each artist and also different colours and tones. I really enjoyed doing these collaborations.

Doodle, drawing a line

Draw round anything with a thin pen and you get an interesting effect. It’s something I do occasionally as a meditation. Trying to keep a little distance from coloured splodges or around lines that I have already drawn or doodled. Somehow the lines remind me of the contours on a map, because they seem to join things together. Mostly I look at the back of my pictures and see if the ink has bled through it. I’ve written about this technique here before. It’s a way of creating something a little more abstract.

Leaves leave…

Drawing of Etruria Industrial Museum chimney from late last winter. Soon the leaves will be gone again. The museum will hunker down in the rain or possible snow. The industrial archaeology is more visible when the surrounding trees are stripped bare. Life is a cycle, one day its bitterly cold, the next warm and comfortable. I hope to visit the museum again soon. Its run by volunteers who work hard to keep it going.

Decidedly under the weather

I’m tired and not feeling much like doing anything, scratchy sore throat and a bit blocked up nose and ears. I decided to doodle a face. Why is it when I draw profiles they normally face left? Previous discussions with other artists raised the idea you can see where to draw easier if you draw the outline first then move back towards the eyes and mouth and ears. This is a finger drawing in ArtRage oils. I need to experiment more with it. I also need to find my stylus.