Not much to say about this. Classic Morris Minor with the classic green colour. They are lovely friendly looking cars. Probably made in the 1950’s? So nice to see it. Somewhere to go for an afternoon out. Etruria Industrial Museum today.
They steam the beam engine there once a month that ground the Flint for the potteries (that was yesterday) and they also had static steam engines running yesterday, but we couldn’t go because we were gardening.
An Austin car, a Morris J B van, a Lymes bus and a Triumph motorcycle.
Drawn at the Etruria Industrial Museum classic car festival today. I’m thinking of sharing a few photos later. It’s hard to draw freehand with a shaking left arm, so I ended up fighting the lines onto the paper.
I tried to include the details as well as I could. Distances and gaps between different parts of the vehicle may not be accurate but I tried my best!
I don’t know what I was doing but I know where I was. At Etruria Flint Mill by the Trent and Mersey canal. How do I know? This picture came up on my phone memories. I love the rainbow flies across the sky with one brilliant end behind the chimney. It looks like a multicoloured comet. I Ts interesting how the area of cloud under rainbows looks paler than the area above. It must be part of the optics of rain storms.
Through the door of the warehouse looking out over lock forty of the Trent and Mersey canal. Steps lead up from the depths of the deep lock, picked out in white paint amidst the concrete sides of the canal. Behind me on the other side of the warehouse the Cauldon canal flows. It is higher up than the Trent and Mersey canal until lock forty raises it to the same level. The warehouse is slightly damp inside which may be to do with its position between the two arms of the canal. I like ‘views through’ things, like views into windows and through foliage.
While covid has been happening the warehouse where we used to hold our Etruria art group on a Thursday morning has been transformed. The blue walls have been painted white and a disabled toilet has been added, with a little kitchen bay in the main room. Hopefully they will fix the roof as there are several loose tiles.
Unfortunately there may be a problem with the art group continuing to use it. Perhaps pottery is too messy? We have yet to hear if we will be allowed to go back after the lockdowns end. We live in hope. It would be good to go back there and make use of it again.
I mmust have been feeling cheerful when I did these paintings plus a batik picture of some fish. The first bottle oven painting is an attempt to do a clarice cliff design. If I did it now I would make the building more curved. The batik is sort of a Pices idea. The dragonfly was an interesting compositon and the half bottle oven is meant to be mirrored by blue sky or water in a canal. It is slightly remenicent of a yin yang symbol. The exhibition was held at the warehouse at Etruria industrial museum at Etruria, Stoke-on-Trent three years ago. At the moment we cannot use the building because of covid19.
Drawn outdoors, we met with an old friend today, properly socially distanced. I was wearing a mask and gloves, and with my glasses on I feel reasonably safe. I ended up drawing my friend and when he went off for a walk I drew the landscape. There were some big trunked willow trees with wrinkly bark in the background, there tiny leaves contrasting with their aged, thick branches and trunks. It has been an overcast day so the colours were not brilliant. After this I took some photos of some interesting views of the area and some of the weedy plants growing along the track. I might post pictures later. When I got home I saw the USK challenge was to draw what’s good for you, and this was it!
We use a warehouse (old, small, with hardly any facilities) next to the Trent and Mersey canal for our art group. Most weeks we do art, pottery, painting, drawing etc. Thus week we had to clear out the kitcgen/store so that it can be demolished and rebuilt as a kitchen and a disabled toilet next to it. So we had to clear a lot of stuff out, including a lot of clay. This is only half of the stuff. It was quite heavy to move. I was going to take it away in my car but compromised on storing it in the building. It’s pleasing to be able to do something physical for a change.
At Etruria Artists today we painted mugs, they were blank white mugs and we used on glaze paints that stay the same colour when they are heated. The most exciting thing is that they can be heated in an ordinary domestic oven. They have to be dried for twenty four hours, then heated at 150°C or gas mark 2 for 35 minutes to bake the colours in.
The outside photo is lock 40 on the Trent and Mersey canal. It was a beautiful morning, bright and sunny. I really do prefer coming to Etruria Artists ‘hands on Art’ at the Warehouse next to the lock in the morning rather than the evening. It is on from 10am to 12 noon if anyone wants to come along.