Day 16…only 15 to go. I’ve enjoyed doing these so far. I’m even drawing them early! Last year I kept adding pictures late.
The glass should be fired in the next couple of days, then I shall have pieces I can turn into smaller necklaces. I loved being able to do it, but the lady who runs the workshops is moving away. I shall have to find someone else who does it, or the pieces I did today will be my last experiment in this craft.
A twisted spindle,
Red painted wall,
Chopped and mixed,
Add background smudges
Bend into shapes
Like pasta twists…
Multiply and flip
Into nine squares.
Then expand into four more.
I like surreal art and I’m trying to decide whether to add faces to my winter tree painting. I’ve added them in a sketching app just to get an idea of how it would look?
What do you think? Should I? Dare I? Or not?
Just been making some more glass work. I used some more dichroic glass to add some sparkle and interesting effects. Now waiting to be fired by my friend Angela who ran the workshop. Hopefully they will come out nice and I can use them for jewellery. Each piece is about half the size of previous ones I’ve done.
On the gable end of the Falcon Works. Visible from Sturgess Street in Stoke.
I see you, Falcon,
Goss Hawk, swooping.
Air sifting between stone feathers.
Built as a plaque of identity,
Goss ware, pottery, strong and sturdy.
History, trade mark, art, bird.
Bird of prey,
Snatching art from thin air,
Your claws knead the clay….
I’ve been taking my sketchbook with me recently because of doing the one inch drawing challenge. That’s meant that I have drawn pictures as well as photographing them.
Yesterday I was looking at autumn trees in front of black and white buildings (the architecture looks like its from the 1920’s or 30’s.) Sturdy, tall trees were starting to colour up as autumn starts to bite. The branches were swaying and soughing in the wind. This is a season I can relate too. It’s sometimes quiet and misty, other times dramatic. That’s what I enjoyed about drawing it. Trying to bring a bit of that drama into it. You can’t draw every individual leaf in a ten or fifteen minute sketch, but you can try and add movement.
For information I used an a6 sketchpad and a unipin fine line pen size 0.8.