I’m really pleased I got Jupiter Blue into a local Open exhibition at the Brampton in Newcastle-under-Lyme. I’m chuffed as it’s quite a large painting and I was half expected to only get one of the other two smaller ones I had also entered but was not successful with these. They were a pastel of Sky and Land and an abstract picture entitled Druid. I think I may work further into the second of these and make it more three dimensional.
Open exhibitions are hard to get into. They are dependant on so many different things, not least whether your work fits in with the feel of an exhibition. I have more luck some days or years than others. They also depend on the number of entries. I’ve heard of some opens taking one picture from each entrant then adding additional ones if there is enough space.
I need to paint. I’ve had a break, partly self enforced because I was busy and tired and lost my way in doing other things like blogging, plus it’s been winter and it’s too cold and dark. I was doing lots of things as hobbies too. But I’m nervous of spending too much of dwindling resources. I’m scared of putting a toe back into the world of work. I want to be helping people as well as painting.
The cliff edge is looming and I want to take a step back. Writing here is allowing me to explore ideas and thoughts that I have never been able to do before. It’s all very gentle and kind and I’m afraid I’ve found a cosy space that allows my dreams, but perhaps I have to let go and try harder in the real world. I’m saying I’m an experimenting artist so I need to do that….. Give art a chance.
I painted this out in the open air a couple of years ago. It took a couple of hours to paint. As you can see the day was very overcast. This is a small acrylic on canvas. I don’t actually know where it is. I have a feeling that I sold it?
I’ve painted from this position a few times, looking down the lake towards the Italian Gardens at Trentham. The end of the lake at this end is next to Trentham monkey forest where they have two troops of macaque monkeys.
I hope to go back soon and try and draw some of them. They are beautiful animals and they are so cute when they are babies.
In the meantime I’m feeling a bit better so over the next few weeks I will try and get some new paintings done.
Sometimes my creative juices freeze
then like a bird I flit and flitter
from one path to another
sit and shiver.
Like a lonely lark.
Sometimes they thaw
but not enough
so the thought is there
but cannot reach from my brain
through my heart
to my hands.. ..
In other times my mind is woken,
shapes fly from my fingers
hot sharp ideas stagger me with their invention.
Later, all is quiet again.
The mood has stormed its way through me.
Calm descends and I am lost in fog again.
Good to get a good image of this painting I did a year ago. The owner has kindly sent me a HD image of it.
Acrylic on canvas, it is a lake view where the trees are back lit by a setting sun. Approximately 12 x12 inches square.
I wanted to paint a view that was crisp and fresh. The colours contrast nicely and the reflections in the water Shimmer with ultramarine blue.
I’m happy to paint anything you would like to commission. Just contact me to discuss.
Where do you store your brushes when you have been painting? Please don’t store them with the ends of the brushes facing downwards, in water or turps, its a bad habit and can ruin your brushes.
Brushes are not cheap. They come in various sizes, shapes, types of bristles and handles.
They range from the tiniest brush with a good point, to very large flat headed brushes which could almost be used by a painter and decorator.
Types of bristles can be made of sable, hog hair, squirrel and other animal hairs. If these sable is the softest and easiest to get good results with. A brush with strong hard bristles can be used to roughy cover large areas and block in colours.
For me a synthetic hair works best. It tends to be flexible yet durable. The cost is usually slightly less than sable.
Going back to storage.. Gently clean your brushes under luke warm running water if you can. Sometimes if the brush is still loaded with paint I will swirl the head of it round in the palm of my hand while rinsing it under the tap. This releases the paint. If I was using oil based paint I would use a little substitute turps and rinse the brush in a jar of the first, then to clean it thoroughly I would use a bit of washing up liquid in the palm of my hand and a tap running warm water and just rinse the brush till the water runs clear.
Once the brushes are clean dry them on a little kitchen towel. This also helps to assess if all the paint has gone.
Place your brushes with the brush heads facing upwards and all the bristles smoothed back into the correct shape of the brush head. You can use your mouth and lips to repoint delicate brushes. By storing them this way they will dry better, the brushes will not end up bent almost in half, and the bristles will not end up glued together with paint. Brushes are a valuable commodity and correct storage will save you money by not having to buy as many replacements.
This is a painting from a few years ago. It was based on the idea of nerves in the brain -synapses, electric currents sparking ideas. I honestly dont know where it went. I do know it was a medium sized acrylic on canvas.
My art life has flitted from idea to idea, like this painting I try to generate new thoughts, I love to experiment, come up with different feelings and emotions.
Why should art always stay the same. Why not do different things?