Brushes (new)

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Just got some new brushes, they usually cost a lot, but these were not expensive. They are value brushes, £3.99 each pack. I bought one lot of smallish round headed brushes and one pack of flat ones. That’s eight brushes (nylon) at about £1 each.

Apart from these I must have about twenty or thirty old brushes. I must go through them, maybe throw a few away. But they are like old friends, I use them till all of the bristles have worn away!

Using different shapes gives you different mark making. Round, pointed ones can describe the shapes of petals or leaves. Flat, chisel shaped ones can be used for painting things like bricks, or to fill in larger areas.

These brushes are ‘golden taklon’ by Royal Langnickel. I like them because they are nylon so the bristles last longer and don’t tend to snap or fall out. Also they have rubber grips so they are non slip and easier to handle. They can be used for acrylics, watercolours, oils, temperas and glazes.

I got these from a craft shop in a local garden centre.

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Cats dream

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Quick watercolour I did on a postcard for a blind auction for charity a few years ago. You had to submit pictures on cards so they could be auctioned off to the highest bidder.

I did a few and enjoyed doing it. Just creating off the cuff pieces. I don’t know how well they did, but I didn’t get any of them back..

Here are a few more, just quick, bright and cheerful.

This was me.

Me at 18.

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I have no idea where there paintings are now, but thus was me at 18. My work was part of a group exhibition for my foundation course in Art. Why did I have curly hair?

I think the picture I was holding was in watercolour or black quink ink? The top picture is my mirrored image, with desks in the background. I don’t have the article any more, it’s got lost in the mists of time. I posted this somewhere on line and kept a copy of it. I can’t say the exact date it was taken… How I wish I could go back to those days!

Old watercolour

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Painted a few years ago at Bovisand Lodge, near Plymouth. The tree is really old and at the back of the carpark. I painted it in situ. I think I must have sold this one a couple of years ago as I can’t remember where it went. I quite like trying to use strong colours in watercolour. It’s more interesting than building up pale layers.

Portrait with portrait

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The exhibition is going well and I had my photo taken with my portrait of my husband as a green man. It’s called my green man. I’m pleased with the composition.

What next? Once this is over I’ve booked to put a show up in another local gallery called the waiting room, in Longport, Stoke-on-Trent. That will be in September, not got the dates yet. I’m also going to do a couple of craft fairs in the next couple of months. It would be good to be commissioned to paint for people but I’m not sure how to break into that sort of work. I am happy to paint for people. Just contact me.

Watercolour painting

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Several years ago I offered to do a painting for whoever made the highest bid for a charity auction. I don’t remember what the bid was but I did this portrait of the bidders dogs. It’s in watercolours on watercolour paper and framed. The paper was a3 but the mount is wide and cut in more of a letterbox shape because of the composition.

I loved painting them, they have such cheeky faces. I also loved painting the patterned cloth they were lying on. I think it’s a throw.

You know where to contact me if you would like to commission me.

A few more paintings

Over the years I’ve done many paintings and drawings, in oil, acrylic, watercolour, pencil, felt pen, charcoal. And I don’t stick to one style, these are a mixture of figurative and abstract, from 1981 up to about 2008. I don’t think I have ever got bored with art.

Some of the art is very patterned, for instance the spiral cat painting, or illustrative, like the tree drawing and the cross hatched picture of the potteries. I find myself using similar techniques when I do digital drawings.

I draw from my imagination, from life and from photographs.

I have occasionally copied paintings, but I always state the work is after the original artist, in other words I make reference to them originating the work. I have only done this on 2 or 3 occassions when someone has asked for a similar picture to one they have seen. Art is a creative business, and the authorship of it should be respected. One concern I have is over copyright. By publishing my art here I realise I am putting it at risk to some extent, but there is the dilemma of wanting to share creativity with others. I doubt anyone would want to copy mine .

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