I have a wide paintbrush you can use to spread watercolour across a page. On the right hand side is part of the original picture and the left hand side has had the hue digitally changed. The grass style marks were created by scratchingvthruogh the wet paint with the edge of a bit of plastic. I might try and use the original background in my sketchbook for a new drawing, and I might upload this image to draw something else. I like the feel of this. I might add a lone pine tree or something like that. X
Nine if us from the Orme art group collaborated to do this copy of a Cezanne still life. Each had a chosen oblong to copy. Mine was the sixth. With part of a peach and a glass.
Interesting how it turned out. I used permanent markers and a bit of watercolour paint. My colour pallette was limited by the colours of the felt pens. The other tricky thing was pattern matching, getting the fruit to line up and the colours to match. I think we did a good job. Wouldn’t mind doing another one. X
I’m one of twelve artists from the Orme Art group who did this picture of Monets Poppies at Argenteuil. Mines the middle one on the left. I used permanent markers and coloured pencil. Others used paints including acrylic and watercolours. It’s good to collaborate.
What I like about this is the different styles and colours. It sort of brings a modern feel to a classic painting.
We have a large field nearby that has a similar aspect, on a slope and edged with trees and hedges. The area is under threat of development although it is quite an ancient piece of farmland. I hope it can be saved. Its called the Croft and its beautiful.
Found in an old sketchbook. Mark making with pencil and paintbrush. I like the fact it looks like there is a heart ♥ at the centre of the image.
Just got some new brushes, they usually cost a lot, but these were not expensive. They are value brushes, £3.99 each pack. I bought one lot of smallish round headed brushes and one pack of flat ones. That’s eight brushes (nylon) at about £1 each.
Apart from these I must have about twenty or thirty old brushes. I must go through them, maybe throw a few away. But they are like old friends, I use them till all of the bristles have worn away!
Using different shapes gives you different mark making. Round, pointed ones can describe the shapes of petals or leaves. Flat, chisel shaped ones can be used for painting things like bricks, or to fill in larger areas.
These brushes are ‘golden taklon’ by Royal Langnickel. I like them because they are nylon so the bristles last longer and don’t tend to snap or fall out. Also they have rubber grips so they are non slip and easier to handle. They can be used for acrylics, watercolours, oils, temperas and glazes.
I got these from a craft shop in a local garden centre.
Quick watercolour I did on a postcard for a blind auction for charity a few years ago. You had to submit pictures on cards so they could be auctioned off to the highest bidder.
I did a few and enjoyed doing it. Just creating off the cuff pieces. I don’t know how well they did, but I didn’t get any of them back..
Here are a few more, just quick, bright and cheerful.
Me at 18.
I have no idea where there paintings are now, but thus was me at 18. My work was part of a group exhibition for my foundation course in Art. Why did I have curly hair?
I think the picture I was holding was in watercolour or black quink ink? The top picture is my mirrored image, with desks in the background. I don’t have the article any more, it’s got lost in the mists of time. I posted this somewhere on line and kept a copy of it. I can’t say the exact date it was taken… How I wish I could go back to those days!
Painted a few years ago at Bovisand Lodge, near Plymouth. The tree is really old and at the back of the carpark. I painted it in situ. I think I must have sold this one a couple of years ago as I can’t remember where it went. I quite like trying to use strong colours in watercolour. It’s more interesting than building up pale layers.
The exhibition is going well and I had my photo taken with my portrait of my husband as a green man. It’s called my green man. I’m pleased with the composition.
What next? Once this is over I’ve booked to put a show up in another local gallery called the waiting room, in Longport, Stoke-on-Trent. That will be in September, not got the dates yet. I’m also going to do a couple of craft fairs in the next couple of months. It would be good to be commissioned to paint for people but I’m not sure how to break into that sort of work. I am happy to paint for people. Just contact me.
Several years ago I offered to do a painting for whoever made the highest bid for a charity auction. I don’t remember what the bid was but I did this portrait of the bidders dogs. It’s in watercolours on watercolour paper and framed. The paper was a3 but the mount is wide and cut in more of a letterbox shape because of the composition.
I loved painting them, they have such cheeky faces. I also loved painting the patterned cloth they were lying on. I think it’s a throw.
You know where to contact me if you would like to commission me.