Me at 18.
I have no idea where there paintings are now, but thus was me at 18. My work was part of a group exhibition for my foundation course in Art. Why did I have curly hair?
I think the picture I was holding was in watercolour or black quink ink? The top picture is my mirrored image, with desks in the background. I don’t have the article any more, it’s got lost in the mists of time. I posted this somewhere on line and kept a copy of it. I can’t say the exact date it was taken… How I wish I could go back to those days!
I try and look after my brushes, keep them pointed, neat. Then I came downstairs and found my hubby using one to clean his ears! NOOOO!
I’m going to a watercolour workshop soon. Its been years since I’ve used them. I don’t know what I will learn, but it’s going to be interesting. I will probably use the same brushes I use for acrylics. I tend to use artificial brushes rather than natural ones because they stay springier. I will post photos if they turn out OK.
Painted a few years ago at Bovisand Lodge, near Plymouth. The tree is really old and at the back of the carpark. I painted it in situ. I think I must have sold this one a couple of years ago as I can’t remember where it went. I quite like trying to use strong colours in watercolour. It’s more interesting than building up pale layers.
The exhibition is going well and I had my photo taken with my portrait of my husband as a green man. It’s called my green man. I’m pleased with the composition.
What next? Once this is over I’ve booked to put a show up in another local gallery called the waiting room, in Longport, Stoke-on-Trent. That will be in September, not got the dates yet. I’m also going to do a couple of craft fairs in the next couple of months. It would be good to be commissioned to paint for people but I’m not sure how to break into that sort of work. I am happy to paint for people. Just contact me.
Several years ago I offered to do a painting for whoever made the highest bid for a charity auction. I don’t remember what the bid was but I did this portrait of the bidders dogs. It’s in watercolours on watercolour paper and framed. The paper was a3 but the mount is wide and cut in more of a letterbox shape because of the composition.
I loved painting them, they have such cheeky faces. I also loved painting the patterned cloth they were lying on. I think it’s a throw.
You know where to contact me if you would like to commission me.
Over the years I’ve done many paintings and drawings, in oil, acrylic, watercolour, pencil, felt pen, charcoal. And I don’t stick to one style, these are a mixture of figurative and abstract, from 1981 up to about 2008. I don’t think I have ever got bored with art.
Some of the art is very patterned, for instance the spiral cat painting, or illustrative, like the tree drawing and the cross hatched picture of the potteries. I find myself using similar techniques when I do digital drawings.
I draw from my imagination, from life and from photographs.
I have occasionally copied paintings, but I always state the work is after the original artist, in other words I make reference to them originating the work. I have only done this on 2 or 3 occassions when someone has asked for a similar picture to one they have seen. Art is a creative business, and the authorship of it should be respected. One concern I have is over copyright. By publishing my art here I realise I am putting it at risk to some extent, but there is the dilemma of wanting to share creativity with others. I doubt anyone would want to copy mine .
Some paintings I did are at my relatives house so I don’t see them very often. The painting I did of Jupiter is there. I do think it looks a bit “knitted”. I would love to do some paintings based on the latest images. I think that it would be very difficult to accurately copy the atmosphere of Jupiter. Saturn’s rings would be equally difficult to render.
The other paintings are: a picure of our garden before it got madly overgrown. Two paintings of Bovisand, out over Plymouth sound and looking inland at the geology of the rocks. My husband standing under an old arch on the isle of Portland. A watercolour of a place called Jennycliff, which is on the south east side of Plymouth.
And finally a snow scene that I painted in the 1980’s. It was meant to represent the steppes and has Russian style onion domes in the background. I’m not sure where I got my idea from. I was reading Frank Herberts “Dune” trilogy at the time and I had never seen an image of the steppes…. But to me that’s part of what being an artist is about, pictures in your mind that you are trying to represent.