This was a quick painting I did years ago. Experimenting with a wax drawing then watercolour over the top. The picture has a reflection on it because it is in a cli frame under glass. I think I added the cat later on a piece of paper that I cut out and stuck down. It’s lasted quite well as it was done in 1990!
I use the same glass mug as a water container when I’m painting acrylics or watercolour and I just decided to empty and clean it. Not before time by the look of it! I don’t know when I will be using it again, hope it won’t be too long. I need to shake off my down feelings, try and realise I can do things, get past some of my worries. I don’t have to do everything, just make a start….
A proper cup of Tea.
Quick watercolour sketch of my brown Bessie tea pot and a mug of Tea. It started out as a graphite pencil sketch but you couldn’t really see it against the black paper so…. I filled in some of it, I made up some of it. I was going to leave some of it black but I used washes of dark blue and dark red to give it more oomph.
Art is fun, art let’s you free yourself, creativity can be good for you.
I’ve just done this… It is my number 8,
I’m not happy with it but it’s the best I can do… Its a bit too tall…..
I could do it again? This is in watercolour.
When I try and copy something I don’t square it up or try and measure the proportions, which is a bit foolish. I just ‘go for it’. I could do with running this through photoshop so I could alter its proportions.
Anyway I’ve basically given up. Top is the picture I was copying. I will post the Orme Art Groups image when everyone has finished.
Jenni Murray, who has presented BBC Radio 4’s long running Woman’s Hour for the last Thirty three years, retired from the show yesterday.
This painting is based on a photo by Tricia Yourkevich in the Guardian newspaper today. The painting is approximately the same size as the photo.
I hope Jenni Murray doesn’t mind me painting her. I have followed Woman’s Hour for years and have always found her to be an intelligent, warm and humourous host.
I also hope Tricia Youkevich doesn’t mind me using her photo, If she wants me to take this post down I will as I would if Jenni Murray objects.
I don’t do many watercolours and this is a quick sketch on on white cartridge paper in a small A4 sketchbook.
We had to chose one or more squares to paint frome a Henri Rousseau painting as part of this months challenge from the Orme Art group. I chose these two. I’ve looked for the painting online but all I can see is one of him riding a tiger with what looks like bird of paradise plants instead of fruits? So I don’t actually know what this is called. I did two small watercolours and had to blot them a bit to take off some if the colours that were running into each other. The top left one was particularly difficult to do as I had to try and get the leaves to overlap. Also the colours I had did not exactly match the picture. Each image has a yellow number on it, in a large font…. So it’s a bit difficult to guess the details under the numbers. I hope to see everyone’s finished work this week when they are amalgamated together.
I’ve put 13.7.20, but it was actually 13.8.20, thirteenth of August. The prompt today was shadows, this is the view of the plants and buildings in the background from our side window. There may not be many more prompts because we have to come up with them ourselves, I wonder what we could come up with…..
I decided afterwards to add some dark watercolour to it, but then decided to add a few colours too. ￼
I also changed the date on it. Its still shaded. I think it looks quite nice.
I have a wide paintbrush you can use to spread watercolour across a page. On the right hand side is part of the original picture and the left hand side has had the hue digitally changed. The grass style marks were created by scratchingvthruogh the wet paint with the edge of a bit of plastic. I might try and use the original background in my sketchbook for a new drawing, and I might upload this image to draw something else. I like the feel of this. I might add a lone pine tree or something like that. X
Nine if us from the Orme art group collaborated to do this copy of a Cezanne still life. Each had a chosen oblong to copy. Mine was the sixth. With part of a peach and a glass.
Interesting how it turned out. I used permanent markers and a bit of watercolour paint. My colour pallette was limited by the colours of the felt pens. The other tricky thing was pattern matching, getting the fruit to line up and the colours to match. I think we did a good job. Wouldn’t mind doing another one. X
I’m one of twelve artists from the Orme Art group who did this picture of Monets Poppies at Argenteuil. Mines the middle one on the left. I used permanent markers and coloured pencil. Others used paints including acrylic and watercolours. It’s good to collaborate.
What I like about this is the different styles and colours. It sort of brings a modern feel to a classic painting.
We have a large field nearby that has a similar aspect, on a slope and edged with trees and hedges. The area is under threat of development although it is quite an ancient piece of farmland. I hope it can be saved. Its called the Croft and its beautiful.