It’s amazing how fast a month goes. The last day of the Orme Group’s show at the Brampton museum and art gallery in Newcastle-under-Lyme is tomorrow. Sunday 10th of November 2019. The paintings are in the corridor as you turn left at reception. So if you haven’t been and you would like to see what we get up to on a cold and wet Sunday, nows your chance.
There is a good selection of artists and ainting there. Maybe you will also find an early Christmas present. Maybe even have a walk round the grounds and have a look at the autumn leaves if there are any left on the trees.
Sketching designs for winter paintings that can still be good to have on the walls all year round. I’ve seen a painting with a pottery in the snow, so I’m going to do something similar with Holly and Ivy. The second idea is a cat on a windowledge with a blue and white vase next to it.
Will try and get them painted this week.
The exhibition is going well and I had my photo taken with my portrait of my husband as a green man. It’s called my green man. I’m pleased with the composition.
What next? Once this is over I’ve booked to put a show up in another local gallery called the waiting room, in Longport, Stoke-on-Trent. That will be in September, not got the dates yet. I’m also going to do a couple of craft fairs in the next couple of months. It would be good to be commissioned to paint for people but I’m not sure how to break into that sort of work. I am happy to paint for people. Just contact me.
Such a nice word,
a resplendent word,
for a plastic take away tub.
But recycled, which is good,
ideal for acrylics.
Mixing paints in it,
nothing slides off,
perfect for cleaning,
then wipe with a cloth.
Better than using an old China plate.
Where do you store your brushes when you have been painting? Please don’t store them with the ends of the brushes facing downwards, in water or turps, its a bad habit and can ruin your brushes.
Brushes are not cheap. They come in various sizes, shapes, types of bristles and handles.
They range from the tiniest brush with a good point, to very large flat headed brushes which could almost be used by a painter and decorator.
Types of bristles can be made of sable, hog hair, squirrel and other animal hairs. If these sable is the softest and easiest to get good results with. A brush with strong hard bristles can be used to roughy cover large areas and block in colours.
For me a synthetic hair works best. It tends to be flexible yet durable. The cost is usually slightly less than sable.
Going back to storage.. Gently clean your brushes under luke warm running water if you can. Sometimes if the brush is still loaded with paint I will swirl the head of it round in the palm of my hand while rinsing it under the tap. This releases the paint. If I was using oil based paint I would use a little substitute turps and rinse the brush in a jar of the first, then to clean it thoroughly I would use a bit of washing up liquid in the palm of my hand and a tap running warm water and just rinse the brush till the water runs clear.
Once the brushes are clean dry them on a little kitchen towel. This also helps to assess if all the paint has gone.
Place your brushes with the brush heads facing upwards and all the bristles smoothed back into the correct shape of the brush head. You can use your mouth and lips to repoint delicate brushes. By storing them this way they will dry better, the brushes will not end up bent almost in half, and the bristles will not end up glued together with paint. Brushes are a valuable commodity and correct storage will save you money by not having to buy as many replacements.
One thing I really enjoyed doing a while ago were illustrations for a leaflet for the canal and rivers Trust. I’ve probably already mentioned. My friend provided the images to work from and I painted with Acrylics on watercolour paper. I did that to get the depth of colours without having to paint thin layers and I could paint over any mistakes I made.
I was really pleased with the results. I only remembered them because they popped up on my Facebook memories. I wonder what else will appear there?
The top picture was an amalgamation of the two harecastle tunnels at Kidsgrove, Staffordshire, a work in progress. And the second was a mill at Leek in Staffordshire.
I thought I would post this progress picture even though I haven’t progressed that far since the last one. I do need to change some of the angles. I’m trying to give it a late afternoon glow to brighten the brickwork. I’m going to add some clouds to the sky to give it more depth.
The canvas is about 30 inches by 24 inches. I’m using acrylic again. I need to get some more blue and white for the sky.
Well that’s it for now. Christmas is coming and I’m getting busy, but I will try and post more over the next couple of weeks.