What to do with our art group? The other one I’m part of is doing a Cezanne project based on a still life. Each of us chooses a square (1 of 9) So I wondered if we could do the same in the other group? But we have decided to do hexagons and include our own ideas inside them. I’m looking forward to what people create. Then I will have to stitch them together, maybe in photoshop.
Doing art in lockdown has ket my mind on track. Being in groups of artists challenges me to do different things. It helps my practice, and helps me learn.
I’m one of twelve artists from the Orme Art group who did this picture of Monets Poppies at Argenteuil. Mines the middle one on the left. I used permanent markers and coloured pencil. Others used paints including acrylic and watercolours. It’s good to collaborate.
What I like about this is the different styles and colours. It sort of brings a modern feel to a classic painting.
We have a large field nearby that has a similar aspect, on a slope and edged with trees and hedges. The area is under threat of development although it is quite an ancient piece of farmland. I hope it can be saved. Its called the Croft and its beautiful.
Here’s my attempt at my square (5) of the poppies painting. As you can see the image I was working from had a great big yellow five in it, so I ignored that. On the original photo the colour balance is more muted, but somehow on the one I was coding from the grass is quite orange. I decided to draw with felt pens, permanent markers and coloured pencils. It’s obviously too green, but it’s hard to layer up colour with pencils, they go shiny and form a waxy surface. After I finished this I added a few streaks of orange ermanent marker but they are too defined, so I left it at this. Positioning of the figure and hill is difficult. Hope when it’s added to the rest it will be OK.
From two years ago. Turning a drawing into a collage using Christmas wrapping paper, tissue paper and a shiny, metallic party bag.
I layered up the paper using dark urple tissue paper over a pale background to try and give the idea of silhouetted trees. Having stuck the purple colour down I then cut out the metallic paper to simulate the wire mesh fence. When I cut out the tree shape I wanted to give a feeling of the texture of tree bark. Finally I added paper on either side to act as curtains.
This was at an interesting collage workshop with the Orme art group about two years ago. I enjoyed learning a new skill.
I went to the Orme Art group this morning and afternoon to paint. It was our Christmas meeting so we stopped early for lunch, but before that I started this painting of a Kingfisher, I have been using some iridescent paints to give some glimmer and shine to the bird and the background.
I came home early because I’m still tired from working on the mural yesterday. I want to add details to it to try and make it a bit more like a Kingfisher. I have tried, when I started someone thought it was a Woodpecker!
I got my paintings up at the Brampton museum and art gallery now until the 10th November. I’m part of a group exhibition with fellow artists from the Orme Art group based in Newcastle-under-Lyme.
I’m quite happy that they have hung my Mars painting upside down! After all in space there is no right way up! The art is along a corridor in the museum but they are well displayed and lit. If you are around you can always take a look. It’s at the Brampton museum and art gallery in Newcastle-under-Lyme .
This is what I’m working towards at the moment. I’m really looking forward to it. We will have some space on a wall in the Brampton museum and art gallery. I’ve got a tryptich of Jupiter ready and I’m doing a painting of Mars. Then on the 7th and 8th of September I’ve got a painting at Spode during our Open Studios weekend.
￼I will also be exhibiting art at The Orme Group Christmas Exhibition, dates and details to follow. Today I’ve also had confirmation that I can put more paintings in an exhibition at the Brampton in November to December for Christmas. I’m just waiting for a poster for that. All I need now is to see if people like them and get some commissions.
I was going to have a quiet day today. But I got up and there was a bit of a disaster in our kitchen. My hubby had decided to brew some beer. But he had added some extra sugar to the brew. Then he has put the bung in upside down. Beer had turned into volcano. Half the brew was all over the kitchen. It had hit the ceiling, there were puddles of ale on the cupboard tops, it was all over the cooker. Basically half the kitchen has been inundated with beer….
After about an hour of cleaning up I decided to go to the pastel workshop with the Orme art group. Basically to escape! The workshop was run by Sandra Orme (no relation).
It’s difficult to describe what we learnt, it was complicated. I’ve added a few photos of the two pictures I did. First you lay down colours in soft pastel on fine toothed pastel paper. Once you have enough pastel on you blend them together, then build up layers using smaller more intricate marks, gradually blending and adding. Sometimes only lightly pressing on the pastel, other times blending more. The direction of the marks can make a difference to how it looks. You can use the edge of your hands, your palms, your fingers or blending tools (like a brush but with the bristles replaced with a rubber tip).
Im pleased with the results. I’m even thinking of getting them framed….