Middleport

This weekend I went to Middleport pottery to sing with a choir to accompany a play called “Boats, Barrels and Bottle ovens”.

We sang seven songs. From different years over the time when the Trent and Mersey canal and the Caldon canal that is an offshoot of it were built by Josiah Wedgwood and James Brindley. Each era was represented by the cast acting out scenes, first by the side of the Dane, a working narrow boat, then inside a bottle oven to represent the Harecastle tunnel in Kidsgrove. A scene at a boat club in the 1960’s where they discussed reopening the cauldron canal that was full of rubbish and weeds at that time and finally we sang in a scene from the 1980s and then up to date.

I’m not fit or well and this was challenging with freezing cold, wet and windy weather, uneven cobbles and slippery surfaces. I can only thank the people who placed chairs for me so I could sit down in safety when I needed to. Without them I could never have done it. X

Variations

Using photodirector to alter my painting that I completed today. Photodirector can change the texture and shapes of my paintbrush strokes, adding uniformity and chaos at the same time, while I learn what I like, and which editing tool to use. I gave the original painting away. But at least I have a good photo…

Clematis and Canal roses

Clematis and canal roses with bottle oven

Every so often I paint one of the iconic bottle ovens from Stoke-on-Trent. These were where pottery was originally fired with coal fires. The city would be covered by a pall of thick smoke, morning noon and night.

They sometimes had metal bands wrapped round them to strengthen them, and the old bricks can shine like gold when there is a lovely sunrise or set. Arthur Berry, famous artist of Stoke-on-Trent used to speak about the beauty of the potteries towns. He painted and drew abstracted views of the six towns. He’s known as the potteries Lowry.

This painting is of a derelict oven, I’ve painted clematis growing up it, rewinding the ancient landscape. The blue area represents the local canals, it’s shape mirrors the bottle oven. The flowers in it represent the abstract canal roses that are found adorning canal barges throughout Britain.

Uphill walk

Today I walked into Stoke by walking Uphill, (and then downhill again).. I’m a bit unsteady on my feet. It sounds strange but because I shake and my arm goes stiff and my foot clenches a bit I feel very nervous of tripping and falling. I look down more than up, watching my feet instead of looking at the view. But I need exercise. I cannot just sit on my chair and wait to become completely dilapidated like these old bottle ovens. My arm and hand hurt holding the phone while I type. But I won’t stop. Life, it gets to you sometimes! But I can walk Uphill!

Painted!

My paintings from yesterday. The small ones have ribbons attached so they can hang from a Christmas tree.

Close up of one of the larger ones. Two bottle kilns side by side, at night, a frosty gleam on them and a patchy, cloudy sky with stars peeping through. The shape of the wisp of smoke mimics the curve of the moon. I used acrylics and glitter glue to give the frosty effect. The smallest canvases are about 1 x 1.5 inches. The bigger ones are around 6x 4.5 and 4.5 inches. They are on display at the Waiting room gallery, I’m pleased to say they are there with other works that I have done for the next week.

Painting scenery

I just chose a random photo from my gallery. It’s a scenery flat for the mystery plays a few years ago. When you are painting on a board eight foot by four foot you don’t need a lot of detail. But I love these iconic bottle ovens, so of course I decided to paint every brick. Plus it means I can give a bit of perspective rather than leaving it flat looking. I also hate when I see scenery and the perspective is wrong. I have seen some that are really weird. It’s distracting (for me anyway). I can spend more time on looking at scenery than at a performance.

A lot of scenery I’ve done for the Mystery plays was painted very quickly. When we have prepared and rehearsed for them the time we can have to use the hall we work in is limited so that we don’t have to spend too much money.

I don’t know what will happen next year? Will there be another one? I don’t know. For me by next summer it could be a real boost to have it on again.

Something less traditional

After the intricacies of the previous painting  I decuded late last night to start this, based on  photo that I’d worked on to turn it negative. It’s also got an interesting effect of light and dark on things like the chain link fence and round the edges of the bottle ovens.

I don’t paint bottle ovens very often, they are iconic round here, but there are an overwhelming number of ainting of them. Everyone has their own style and thoughts about them, this is me trying to put on a different spin if you see what I mean. The finished work will be called Winter kilns.

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Today at Gladstone

I’m in a group called urban sketchers. Today we braved the wind and cold and went out to draw and sketch there. I got quite chilly and damp but it was worth it. There were about 8 or 9 of us there.

There is so much to see at the Gladstone Pottery museum. Plus there is a nice little shop with Pottery for sale and a good friendly cafe upstairs.

Sited in Longton, Stoke on Trent, the Gladstone Pottery museum shows you the history of ceramics. There is a flushed with success section about toilets and a display of ceramic flower making, pot throwing, an old engine house, a doctors house and surgery. A selection of historical tiles and much more.

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