What a long weekend! Two days manning the pop up exhibition at Etruria. I didn’t have much time to look at the static steam engines on display yesterday or the classic cars today. The place wasn’t buzzing but there was a constant stream of people coming in. Most of them were interested in what we were doing, what the building used to be used for, or decided to let their children make things with clay. A few people walked in took one look and walked out again. Sometimes they even asked where the tea room was.
Etruria Artists had paintings, photos, ceramics, jewellery and even painted stones on display. It was good to share the space with other artists there. I even bought a pottery frog, a mug and a whale.
So many people to talk to, to help, to explain to. I also helped a bit children with modelling clay. My friends usually do this and I just helped when they were not around. We made frogs and ladybirds, and an owl. Sadly I didn’t take any photos of the pieces as I forgot my phone.
I got my paintings up at the Brampton museum and art gallery now until the 10th November. I’m part of a group exhibition with fellow artists from the Orme Art group based in Newcastle-under-Lyme.
I’m quite happy that they have hung my Mars painting upside down! After all in space there is no right way up! The art is along a corridor in the museum but they are well displayed and lit. If you are around you can always take a look. It’s at the Brampton museum and art gallery in Newcastle-under-Lyme .
Ouch… I’ve just finished putting mirror plates on the back of my paintings. You have to make holes in the back of canvas’s wooden supports and then screw them in place with two screws so they can be attached to gallery walls.
The problem is that the screws I have are small and have Phillips cross headed heads on them. The screws are made of harder metal than the screw driver and consequently the head of the screw driver had worn away. You can’t see this clearly on the photos though.
The the screw driver does not sit properly in the head of the screw, this means that they are really difficult to drive into the back of the canvas. I had to do this on 14 canvases, so 28 mirror plates and 56 screws. The wooden frames on canvases are not uniform, some are made with harder wood than others. In a couple of cases I had to use shorter screws because they would not screw all the way into the wood.
Now I have to list all the paintings so that I can take them down to the gallery on the morning.
I’ve just finished these two acrylics on canvas (in my living room as you can see by the background) both are 16×12 inches. Acrylic on canvas. Called “Barn owl after a photo by David Tipling” and “Plains Zebra”.
I might try and get a few tiny paintings done too.
I had a nice surprise this morning. A friend messaged me to say there was an article about the hotel she works at on the Spode site in Stoke on Trent.
When I looked at it I noticed one of my paintings in the photo of one of the bedrooms! I had wondered where it had gone to because it was not downstairs in the Works canteen cafe we go to at the hotel.
I wish it wasn’t such a tiny photo, because its hard to see much detail, but I’m going to be painting a few more pictures that will be for sale in the hotel.
The buildings around Spode are very inspiring because of the industrial architecture and archaelogy on the site.
There is a whole cluster of poppies in poor soil round the corner from where I live.
These are tall oriental ones. But we also have Welsh poppies which are yellow and orange. We have grown ladybird poppies which are red and black and we once grew a Himalayan poppy, (mecanopsis?) which is bright blue.
So inevitably they get into my photos and paintings…..
Poppy, poppy, I see you flutter, blue sky, red headed beauty