Yesterday in Newcastle under Lyme for the Christmas lights opening. A large reindeer puppet strolled round the town centre. It’s movements steered by three puppeteers, directing it’s head downwards so that young children could stroke it’s nose. The head was lit up and you could see it’s eyes blink.
It was a lovely and beautiful sight. I think it was made by BArts.
Who is the most famous or infamous person you have ever met?
Arthur Berry was an artist, author, poet and playwright from Stoke-on-Trent, Staffordshire, England.
One of Arthur’s portraits.
Arthur was also one of my tutors at college and I was really happy when he said my paintings had a bit of something about them. He always seemed to wear a flat cap and tweed jacket. He was a well built man but had a withered arm. His voice sometimes boomed with emotion and joy.
His art is distinctive, charcoal and pastels, oils, mixed media. Often called the Potteries Lowry, he depicted local people and the interior and exterior landscape of the industrial north Midlands city of Stoke-on-Trent.
The works are semi abstract and strongly atmospheric. The portraits show emotions and feelings, aging couples kissing. The titles are often amusing.
Arthur wrote a series of intriguing plays, darkly comic. Set in old libraries or local pubs. They depict everyday life in the 6 towns of potteries, Grit, Grime and Clay. I saw several of them in the Victoria Theatre in Hartshill. This was replaced by the New Victoria Theatre in Newcastle under Lyme.
Arthur’s poems were funny and about his life and surroundings. His “ode to the oatcake” celebrating a local food delicacy which he once described as the potteries papadum
Our Orme group continues to meet and create new art.
We are holding our annual exhibition, with paintings, sculpture, jewellery and other art and crafts available. There will be festive refreshments available.
We have new artists who have joined this year so there will be different work amongst the art on display. If you are in the area of Newcastle under Lyme, Staffordshire, on 23rd November 2025 why not come along?
My first drawing after my cateract operation. It was just a quick sketch, a drawing of a friend. I was really scared I wouldn’t be able to sketch, but there I was shading in with a pencil. I had forgotten the pleasure I get from being creative. Now I need to keep doing more!
My friend Eve let me used a black and white photo of a horse as the basis of this acrylic on canvas titled “Red Horse”. I had thought of doing a blue or green version too, but I think this works best. He’s certainly a character. On display at the Etruria Industrial museum in Stoke-on-Trent, Staffordshire. I think he could be one of the horses that used to haul barges along the Trent and Mersey canal.
It would have been our anniversary today. We lived together for years before we married. I painted him when I was about 20 and he still sits in this painting looking out at me. I did a lot of drawings and portraits of him over the years, I am glad there are visible memories of him.
What will happen when I go? Who knows what my relatives will want to do with all my art? Will a local museum take them, or will they just get skipped? I don’t know, I won’t be here but I would like to have some recognition. The trouble is I’m very eclectic, I paint for my self in these images. Ah well, more questions…
Found an old photo of my mural of Walter a regular at the Leopard Hotel in Burslem, the other picture is my reimagined portrait of Molly Leigh, based on the mural I did of her. Both murals were destroyed when the pub burnt down a couple of years ago. I might try and recreate the Walter one too. The final photo is of my Molly Leigh painting and my Spode circular window painting in the Orme Art Group Exhibition at the Brampton museum and art gallery in Newcastle under Lyme. It’s on at the moment.
Recently found on my phone, photo taken a few years ago.
One of my murals from the Leopard Hotel in Burslem, Stoke-on-Trent, it burnt down a couple of years ago. Portrait of Walter a regular there.. Mural, emulsion on lining paper. I had to paint it a few feet up the wall, the paintings were painted within a frame attached directly to the wall. I just noticed his hands are too small!
How to start a painting working from a blank canvas. I suggested they could start by changing the colour of the canvas. That will give you feel for how the paint goes on. Think about whether you want the canvas upright (portrait) lf on its side (landscape). You could do a gradient of colour or greys so it’s lighter towards the top or one side. Try and think of a simple subject to start. How are your drawing skills and do you want realism or an abstract subject. Most of all – enjoy!