Red and black with white.

Some sketches from last year. Using various amounts of white along with red and black. I think I added white to make the images easier to see and read. The red is quite a dark tone and it’s hard to see against the black areas. I also think someone who is colour blind might be able to see the images with more white.

Fern leaves

I can’t remember how I got this image, I know it’s based on a photo of fern leaves and I must have used layout to mirror the patterns. But how I added the various colours and added the tiles? I can’t remember. And just how did I get the embossed effect…. It must have been an app I no longer have on my phone. A puzzle, which is what the image looks like.

Another 🐲

Dragon with teardrop shaped scales. For swimming underwater, nostrils that close up with spring valves, a small mouth that can close tightly. Pressure resistant eyes and ears that can hear infrasound under the ocean. Another design idea. I duplicated and mirrored the dragon head as I had only drawn one half of it.

Autumn acers

I usually look out from underneath trees, but here I looked up and took a photo of twisting branches and limbs. Then I tried to paint the leaves. Dark towards the trunks, lighter where they reach out into airy space. Leaves are amazing. Because they can move towards the light (phototropic) they can move into the gaps where the light gets through. Like a jigsaw puzzle, filling in the spaces. Then suddenly in autumn deciduous trees drop their leaves as the cold and wind catches them out. Great blankets of leaves are now lying below the local trees. Crunching through their crispness is one of my favourite things before they turn soggy in the cold rain. Glorious!

Texturised

I used photodirector to adjust the textures in the effects part of its editing tools. I like the rippled effect, it somehow reminds me of the patterns in the cloudscape on Jupiter taken by the Juno probe a few years ago. Because I didn’t shade all the way up to the outlines I like the dark edge that lies between them and the silver shading. I could imagine using this style to illustrate a book cover or within a magazine article. Perhaps one day I will get a commission to do something like this? I don’t know.

New pens on black paper

I do like new pens

I spotted five metallic pens made by Bic in the shop today. So on a whim I bought them. I have to say I was impressed! They have large felt pen nibs and the ink flows well. The lines you can draw are a good weight and if you tip them on their side you get wider lines because they have a bevelled edge. The colours are strong and they seem to work well on my black cartridge paper sketch pad, they are nice and opaque. I will see how they work on white paper next.

self portrait (ish)

forty year old me.

When I got to forty I did a self portrait in acrylics on canvas, then a few years later I decided to learn some filters in Photoshop. One was to turn patches of the image you had created into tiles. This was one of my attempts at creating something a little more abstract, although the colours still represent the painting and there is still some definition which gives an idea of the original piece.

I’m not sure how copyright works on these? Presumably the images in the filters are non copyright. If they were not, I don’t know precisely how many photographers I would have to credit. This is where the strangeness of digital comes in. There is so much content out there that is free for use, but artists and photographers who want to keep control of theit art and designs can easily find their work being copied when they use digital platforms. You only have to go to an internet search, look up their name and choose ‘image’ and you will see a host of original work.

Nowadays ‘non fungible tokens’ (a strange word) have become popular. An artists digital work can be bought by a single individual or group. They hold the ownership of it, as if it were a single canvas. The artist as far as I understand still keeps the copyright, and can use the image over and over but the ‘owner’ owns it? It has been difficult to get my head round this concept. It might be something I could do in the future, but like with Crypto-currency, it sounds like there is a digital payment that the artist receives, perhaps the equivalent of being paid in coloured beads instead of real currency?

We live and learn. Sometimes confusion and obfuscation reigns.

Three years ago…

Walking around the world museum in Liverpool three years ago, I was so impressed by the travelling exhibition of the Chinese terracotta warriors. Obviously only a few if them were represented in the gallery, but it gave a strong example of the creative and military civilization behind these figures.

There were crowds at the gallery, people shuffled round and many of the exhibits were partially hidden by bodies that strangely mimicked the warriors remaining in China as they stand within the archaeological dig there, rows and columns lined up. Humans used to congregate. They group, they press against each other, travel together . That feeling of community has been lost to some degree because of Covid. Will they ever do the same again? Will we go forward in time to a freedom we do not enjoy now? I don’t know.