Thursdays #bandofsketchers prompt was socks. I don’t know if these exist, so if they don’t this idea is my copyright ©. Canal and bottle oven socks. The ideal present for someone who loves industrial archaeology, is interested in the Trent and Mersey canal and needs to keep their feet warm!
‘Nah’ he said, ‘it’s not going to snow on Christmas day!’
His daughter looked upset, but her mum said ‘Dad is always right about the weather.’
She went upstairs to bed, it was Christmas Eve and she was 7. She believed her Dad but really truly wished for the snow to come. She wanted to get up and see if Santa had been yet, but it was only ten o’clock and Santa didn’t arrive till midnight. The stairs light was on and she tried to stare at it to keep awake. But she couldn’t keep her eyes open…
Suddenly she woke. The stairs light was off and she didn’t know the time, but there was a strange silence outside except for.. A scrabbling sound on the roof. A slithering sound, a tap and a rattle. What was it? And the sky was a funny orange colour. She had never seen it like that before? Soft noises tickled her ears again. She had a chimney in her room but the hole where there used to be a fire was boarded up. But she could hear something..
She looked out of the window, moving the net curtain to one side. The sky was still orangey grey and what looked like feathers were floating down… Was it? Snow? She put on her slippers and silently went downstairs. She saw it was five o’clock in the morning. Still dark and far too early for her parents to be up. Instead of looking in the lounge to find out if she had presents she walked through the kitchen and stepped out of the back door. Snow! Yes!
Suddenly a trickle of snow fell from the roof above her. Then a little avalanche. She heard scrabbling again so she looked up…. Just as the reindeer and sleigh leapt up from the roof and flew into the sky!
When I got to forty I did a self portrait in acrylics on canvas, then a few years later I decided to learn some filters in Photoshop. One was to turn patches of the image you had created into tiles. This was one of my attempts at creating something a little more abstract, although the colours still represent the painting and there is still some definition which gives an idea of the original piece.
I’m not sure how copyright works on these? Presumably the images in the filters are non copyright. If they were not, I don’t know precisely how many photographers I would have to credit. This is where the strangeness of digital comes in. There is so much content out there that is free for use, but artists and photographers who want to keep control of theit art and designs can easily find their work being copied when they use digital platforms. You only have to go to an internet search, look up their name and choose ‘image’ and you will see a host of original work.
Nowadays ‘non fungible tokens’ (a strange word) have become popular. An artists digital work can be bought by a single individual or group. They hold the ownership of it, as if it were a single canvas. The artist as far as I understand still keeps the copyright, and can use the image over and over but the ‘owner’ owns it? It has been difficult to get my head round this concept. It might be something I could do in the future, but like with Crypto-currency, it sounds like there is a digital payment that the artist receives, perhaps the equivalent of being paid in coloured beads instead of real currency?
We live and learn. Sometimes confusion and obfuscation reigns.
This is a painting I did from a photo last year. It was in a magazine but I didn’t see who the photographer was. This is one of the things I worry about when using images like this. If I complain about copyright then how can I use others work? But if there is no credit on it can I still use it? That’s why I try and create original art, but it’s not easy. I write ‘after an image or photo by…’ on paintings when I know who they are by….
There are many problems with this. Is there any information anyone can tell me about this I would appreciate it.
I am a local artist in Stoke-on-Trent and about 11 or 12 years ago I painted a series of murals in the Bennett suite at the Leopard Hotel in Burslem. Recently my paintings have appeared on a book, on Midlands Today a BBC local TV channel, the Sentinel newspaper and on a ghost hunting website. All without my permission. I hold the copyright for the images and I would like people to contact me if they wish to use them. The image is my painting of my painting of the Burslem Riot of 1842. I’ve contacted the people who used them but only one has responded so I have given her retrospective permission. What can I do?
I was just watching TV and saw this! My mural painting of the witch Molly Leigh who lived in Burslem and who is famous in the city of Stoke-on-Trent. The painting is based on a picture of a French peasant by Theodore Gericault. The cottage in the background is based on photos of her home.
It’s not the first time an image of one of my paintings has appeared in the media. A few months ago my painting of the Burslem riot was used in the sentinel paper, again without letting me know.
What can I do? How can I at least get recognition?