Sailing

I wanted to use the ‘knitting’ pattern that I had drawn as a background for another image. Flip it over, mirror it and crop it, draw over it and add a boat and its reflection. I think it actually works quite well. The sea looks calm as a mill pond despite the wind catching in the boats sails. I added white lines to dilineate the surf as it flows onto the beach.

Scales?

Covered in armour

Impenetrable scales

Against all drama

Arrows and staves

Flying above

Crawling below

Graceful as a dove

With a loud bellow!

Only a myth

An imaginary creature

Family kin and kith

In which lizards feature

Wings full of woe

Mouth full of fire

Where he does go

Things will be dire!

What is this thing

We wish will be gone?

Of it we will sing!

The inimitable Dragon!

Red and black with white.

Some sketches from last year. Using various amounts of white along with red and black. I think I added white to make the images easier to see and read. The red is quite a dark tone and it’s hard to see against the black areas. I also think someone who is colour blind might be able to see the images with more white.

Fern leaves

I can’t remember how I got this image, I know it’s based on a photo of fern leaves and I must have used layout to mirror the patterns. But how I added the various colours and added the tiles? I can’t remember. And just how did I get the embossed effect…. It must have been an app I no longer have on my phone. A puzzle, which is what the image looks like.

Texturised

I used photodirector to adjust the textures in the effects part of its editing tools. I like the rippled effect, it somehow reminds me of the patterns in the cloudscape on Jupiter taken by the Juno probe a few years ago. Because I didn’t shade all the way up to the outlines I like the dark edge that lies between them and the silver shading. I could imagine using this style to illustrate a book cover or within a magazine article. Perhaps one day I will get a commission to do something like this? I don’t know.

self portrait (ish)

forty year old me.

When I got to forty I did a self portrait in acrylics on canvas, then a few years later I decided to learn some filters in Photoshop. One was to turn patches of the image you had created into tiles. This was one of my attempts at creating something a little more abstract, although the colours still represent the painting and there is still some definition which gives an idea of the original piece.

I’m not sure how copyright works on these? Presumably the images in the filters are non copyright. If they were not, I don’t know precisely how many photographers I would have to credit. This is where the strangeness of digital comes in. There is so much content out there that is free for use, but artists and photographers who want to keep control of theit art and designs can easily find their work being copied when they use digital platforms. You only have to go to an internet search, look up their name and choose ‘image’ and you will see a host of original work.

Nowadays ‘non fungible tokens’ (a strange word) have become popular. An artists digital work can be bought by a single individual or group. They hold the ownership of it, as if it were a single canvas. The artist as far as I understand still keeps the copyright, and can use the image over and over but the ‘owner’ owns it? It has been difficult to get my head round this concept. It might be something I could do in the future, but like with Crypto-currency, it sounds like there is a digital payment that the artist receives, perhaps the equivalent of being paid in coloured beads instead of real currency?

We live and learn. Sometimes confusion and obfuscation reigns.

Silk

I have only just done thursdays #bandofsketchers prompt to draw an item made of silk. My problem was I don’t own any, but I can imagine it.

This drawing was done on black paper using metallic ink pens, glitter glue, gelato drawing pigments, and some metallic paints you can pipe onto the paper surface. It’s meant to represent a square of silk, maybe a scarf?