Patterning again

Black and white drawing I decided to colour in. It reminds me of the paisley pattern that used to be on the underside of my Eiderdown as a child (like a duvet but thinner and filled with eider duck down). The covering was either silk or nylon? Some sort of shiny material. The Eiderdown was quilted if I remember, to stop the filling moving around and going lumpy. It had the Paisley pattern underneath and a dark green top if I remember. I think that’s what got me into patterns in the first place. There were so many more a few decades ago. Not minimalist like now.

Looking and strolling hand in hand.

Aren’t the backs of people interesting, watching a woman looking at a steamroller, or a couple walking along the canal towpath, hand in hand.

When you try and sketch figures quickly you have to remember their positions because they are sometimes moving. It’s easier when they stand still for a while, but that doesn’t mean they are motionless. Heads move from side to side, or the weight moves depending on which leg they are standing on. Then the arms move, hold, wave about. A few quick lines are not always enough, but I try.. Two or three minutes tops for these, then colour added later.

Almost full

My lovely soft covered sketchbook is almost full. The paper in it is thick enough to stop most ink getting through and slightly shiny. I really prefer it to ring bound sketchbooks because you can draw across two pages without the rings and perforated paper getting in the way.

It only has a couple of pages left fir me to draw on. I think this sketchbook won’t just be put away in a drawer but will be treasured (until I start a new one)! ❤️

Sweet

Today’s #bandofsketchers prompt was sweet.

I tried to draw smarties (the British version of m&m’s?) but my shaking arm made for wobbling lines, so they are more like jelly beans perhaps? Then I had the idea of adding reflected colours on opposite sweets, but the colours are too dark. I also wanted to add shadows from various directions, like there was different coloured light illuminating the sweets, so blue grey shadow on one side and turquoise blue on the other. This could have worked better but I used felt pens again. And the sweets are egg shaped! Oh well I tried!

Artrage oils doodle

An app I don’t use very often, but sometimes I remember it and then hve a play with it. This was just a doodle of a face. There is a metallic and non metallic pen and different sizes of them, plus a dry brush, an everlasting oils brush, and two others. The colours change depending on how metallic you set it. I think I could learn to control it better if I used a stylus instead of my finger to draw.

Sea

Today’s #bandofsketchers prompt was Sea. I tried to draw waves on a sea with felt pens but I didn’t like it so I’ve played with it digitally to add texture in some places and blur other areas. I’m not sure about it, but not all drawings are successful. I think it looks like a photo from a camera with smudges on its lens.

Quick sketches (life drawings)

Warning contains nudity.

A ten minute and fifteen minute sketch I recently completed at a life drawing group a few weeks ago. Looking at them now I can see that the details are not correct, but not too bad. The leg lengths on the second sketch are definitely too short. You can see how I tried to extend them a bit. When you draw a figure it’s a good idea to work out where to place the head. If you are too low on the page you run the risk of losing the lower half of the figure as in the first, ten minute sketch. But these were swift sketches, drawn on pale brown Ingres paper which is suitable for the mid tones then drawn in black ink fine line pen and shaded with pencil crayons.

One thing I hate with life studies is when artists leave the head off. Especially when it’s a female study. To me, they may not be able to draw facial features, but by leaving the head off it makes the figure look more like a slab of meat, disturbing and disrespectful of the female model.