Swirls drawn digitally. Artrage oils and photodirector. Draw swirls then play with editing options. You can do all sorts of things with digital apps. I feel like this is a little like a coral surface or a Mandala.
Pattern again, my thing, I suppose I will never get enough of it. Something happens in my brain and I have to do this. I’m addicted to art and patterns. I love convolutions.
You are strong and ethereal, the light glints on your skin, like a dolphin, sleek, slipping through the waters, twisting coral and seaweed in your hair.
Siren songs, calling out to passing boats and ships, but ignored as diesel engines drown your subtle music. You have lost your sisters to giant nets, trawled from their watery beds by fishermen that know no better.
Mystery surrounds you, mystic, mythological, mesmerising. No soft fairy story of prince’s and princesses. You are more powerful, a trident carrying warrior.
Drawing over the top of a green faced man, I used Artrage oils to create this profile of a woman. I had the ‘oils’ set on metallic, it gave the image an old fashioned look. I am glad I can use this app.
When I got to forty I did a self portrait in acrylics on canvas, then a few years later I decided to learn some filters in Photoshop. One was to turn patches of the image you had created into tiles. This was one of my attempts at creating something a little more abstract, although the colours still represent the painting and there is still some definition which gives an idea of the original piece.
I’m not sure how copyright works on these? Presumably the images in the filters are non copyright. If they were not, I don’t know precisely how many photographers I would have to credit. This is where the strangeness of digital comes in. There is so much content out there that is free for use, but artists and photographers who want to keep control of theit art and designs can easily find their work being copied when they use digital platforms. You only have to go to an internet search, look up their name and choose ‘image’ and you will see a host of original work.
Nowadays ‘non fungible tokens’ (a strange word) have become popular. An artists digital work can be bought by a single individual or group. They hold the ownership of it, as if it were a single canvas. The artist as far as I understand still keeps the copyright, and can use the image over and over but the ‘owner’ owns it? It has been difficult to get my head round this concept. It might be something I could do in the future, but like with Crypto-currency, it sounds like there is a digital payment that the artist receives, perhaps the equivalent of being paid in coloured beads instead of real currency?
We live and learn. Sometimes confusion and obfuscation reigns.
A finger painting done with the Artrage oils digital app which I think is free through Google. I use it on my little android phone. Two tools, a brush with four varieties with a sliding size bar and a pallette to choose colours from and the ability to to change the effect from non metallic to metallic. It’s quite a challenge to draw with a tool that smears and smooths out the surface as you draw on it. I enjoy it because you get such a different effect from other sketching apps.
I’m working on a series of images of dragons for a college project. Working towards a final depiction of a dragon for my proposed children’s book.
Thus started out as a bit of glittery painting I’d called dragon skin. Then I mirrored it so it was symmetrical. Finally I drew features on it symmetrically using a digital sketching app. I like the idea of amalgamating digital and analogue art.
Playing with a pattern and creating a bear. Mouth down in the water, drinking from a stream. It was almost a sheep but them I added a big nose. I digitally drew over a pattern I had hand drawn on paper. Then mirrored the images. I think it could also be a wolf in sheep’s clothing? Pareidolia in a tion again.
Playing with a photo app, you can change the texture/lines of a drawing, add the drawing to a photo they provide and even add text. I like how the cat in my drawing is looking down on the street. He’s haughty and aloof.