Stained glass view

A few weeks ago we visited Rode Hall and the church across the road from it. I was running out of battery power so only took this photo. I just decided to look at it again because I like the colours in the glass. Blues, reds and whites highlight the figures and the textiles and architecture. The detail of the pattern at the top and base of the window panes help link each panel together. Just cutting the glass pieces out must have been so difficult and time consuming. Using lead to hold the glass in place. How do artists manage to do this? I’m full of admiration.

Black and White

Image from an edition of The Yellow Book by Aubrey Beardsley. I’m drawing images with strong black and white areas for my report and portfolio. I admire Beardsleys skill with lines and curves. Everything is slightly exaggerated. The blocks of black and white are so strong. But there is a delicacy with the details. It’s so neat and precise. I can’t remember if this is art nouveau?

Seven years ago

Faces drawn in a nice app I used to use a few years ago. But I had to delete it because I don’t have enough memory on my phone. Maybe when I finally upgrade it I will reinstall it. I think it was called sketcher app. I think I still have it on another device but that’s not linked to the Internet very well so I have to mess about trying to link things. Maybe I should get more organised. I quite like this.

Convoluted

Another pattern drawing, limited-ish pallette, green, blue, orange silver and black, different shades. It’s hard to know what to do and when to stop. I used to decorate our Christmas tree and I had an idea of where to place things and where to end. I think I use that little skill in art. I don’t think I overwork things to much. But I do like a strong pattern.