A year ago I was outside Chatterley and Whitfield colliery drawing with the Stoke Urban Sketchers.
This year Stoke-on-Trent is hosting the United Kingdom Urban Sketchers annual festival from 7th to 9th June 2019! There may be a lot if sketchers descending on the city.
There is a lot of industrial archaeology and architecture here so I think people will enjoy it. Hopefully I will be able to get involved in it.
There are lots of places in Stoke-on-Trent and in the surrounding countryside which are worth drawing. I would love people to come here and fall in love with this city.
I’ve started work on this painting after a gap of a few months. I think it just over faced me, it was too big, to difficult (I’m working on it by looking at my phone).
And this last few days I haven’t felt well enough, but I started work on it this morning and did a good few hours on it.
So, where am I painting? In the house, not my studio. That’s the other thing, physically I feel awful. Mentally, I’m OK but don’t feel like I want to go out. We went for lunch with a friend today, but came straight home afterwards because I was exhausted, literally shaking. I don’t think I’m getting worse, but it’s taking time to recover and I know I’m pushing myself. But I have an exhibition next week and I haven’t got everything done. It’s very last minute……
This morning I realised it will be forty years in September since I started my degree in fine art painting…and I have never stopped….
This is a portrait of Cyril I did in 2000. I hadn’t seen it since then.
But then we went to an exhibition by Cyril Tilston a few weeks ago at Centre Space in the Spode heritage visitor centre. Cyril had a photography show and we got chatting.
He took one of my cards and then contacted me over the weekend. He had found this drawing. We had met 19 years ago at another exhibition. We had got discussed art and I had invited him to a drawing group we used to hold in a local pub. So I must have drawn him at the group.
So interesting to look at my drawing style then. I think my eyesight was better then, my hand less shaky. The lines I drew stronger than now. But I’m glad I still draw and paint. Maybe I will have the chance of drawing him again.
This is the idea for the poppy painting roughed out. I’m really keen on having a dark emerald green background and to try and make it look like tiles or a wall plaque. The background needs to look like a shiny encaustic surface.
I don’t have much time left to finish these paintings. It’s going to be a dash to get them done.
This is going to be a poppy painting mimicking the style of old tiles so I’m going to section it off as if it’s split into three. Then add a dark green background to be displayed vertical, horizontal or even diagonally. Might put pale or dark centres in the poppies.
Acrylic on canvas 24 x 8″ approx.
This is a digital drawing based on an old tile. I won’t bore you with the app I used it’s on my tablet and I haven’t been able to use it for a while as it needs fixing.
I drew it in 2016 and I don’t think I’ve shared it here before. It just popped up on my Facebook memories, and why not share it? It will just disappear into the aether again if I don’t.
I did try and create a glossy shine on it, but the chin is too big!
An acrylic on canvas from 2013. This was one of my favourite paintings and I used it as my profile picture for a few years. I’m no longer sure it’s as good as I thought. I would change the background to a darker grey green now to make the red Zing even more.
I think I will base another painting on it though. I’m thinking of doing a long thin painting that could be hung horizontally or vertically. The design would have to work in both directions and perhaps even upside down.