self portrait (ish)

forty year old me.

When I got to forty I did a self portrait in acrylics on canvas, then a few years later I decided to learn some filters in Photoshop. One was to turn patches of the image you had created into tiles. This was one of my attempts at creating something a little more abstract, although the colours still represent the painting and there is still some definition which gives an idea of the original piece.

I’m not sure how copyright works on these? Presumably the images in the filters are non copyright. If they were not, I don’t know precisely how many photographers I would have to credit. This is where the strangeness of digital comes in. There is so much content out there that is free for use, but artists and photographers who want to keep control of theit art and designs can easily find their work being copied when they use digital platforms. You only have to go to an internet search, look up their name and choose ‘image’ and you will see a host of original work.

Nowadays ‘non fungible tokens’ (a strange word) have become popular. An artists digital work can be bought by a single individual or group. They hold the ownership of it, as if it were a single canvas. The artist as far as I understand still keeps the copyright, and can use the image over and over but the ‘owner’ owns it? It has been difficult to get my head round this concept. It might be something I could do in the future, but like with Crypto-currency, it sounds like there is a digital payment that the artist receives, perhaps the equivalent of being paid in coloured beads instead of real currency?

We live and learn. Sometimes confusion and obfuscation reigns.

Outside sculpture?

At Keele University, seen one summer evening in the glow of the evening sky. The posts are square and mirror coated, the lights reflect off them and you see a miriad of reflections as you look through them. It’s an impressive sight. It’s near the Chapel and Students Union at Keele University in Staffordshire, England. The University is on a campus about a couple of miles west of up a hill from Newcastle-under-Lyme. I’m glad that public art is on display. It gives a place for artists work to be seen.

Autumn woman

This is my painting ‘autumn woman’ I did a few years ago. I wish I was doing more art like this but I’ve really been overwhelmed by trying to do other college work. There are other things I need to do too. This covid pandemic have made my introverted ways even more entrenched. I wish I had the freedom I used to have. But self isolation and protecting myself have been my consideration all the way through. My hubby and I still insist on wearing masks… Although many seem to have forgotten the need for them, forgotten or are ignoring. Our prime minister does not show a good example… Oh I must not stray into politics!

Hey ho! Got to find my mojo!

Story tiles

A view of St Austell in Cornwall that was at the BCB exhibition recently at Swift House, Stoke-on-Trent. With subtle tones of sepia colour it depicted a semi industrial landscape. I didn’t see a notice but I’m guessing it was made of China clay which has been quarried there for centuries. One of the sites was used to create the Eden Project, a set of giant domed greenhouses or ‘biomes’ which house tropical and arid environments from more equatorial climes.

St Austell is a town in Cornwall inland from the southern coast, in a landscape dotted with abandoned tin mines. It was once the home of a famous poet called Jack Clemo. He was blind but managed to write his poems while supported by his mother in the 1950’s?

I need to go back…

My studio, I’m still nervous because of the delta variant of covid to go back into it. I need to paint but I’ve got that feeling that I’m on a knife edge, I don’t know what to do? It’s strange, I’m spending the money but for almost two years now I have felt very worried. Maybe I need some talking therapy, everything is getting too much….

Will the Leopard reopen?

In about 2006 and 2007 I painted several murals in the Arnold Bennett suite of the Leopard Hotel. It has appeared on Britain’s most Haunted on TV and until a couple of years ago was still open. Now no one seems to know what is happening with it. I’m sure it still needs a lot of work doing on it. No doubt my murals will get painted over if it is refurbished. It’s sad, because for a few years the place thrived. But there was also bad luck there. I wish things coukd be better for it. X

Dog work in progress.

He’s almost done, looks like a Teddy bear so it needs some more attention.

I am struggling with the fur, trying to soften it, it looks too spiky at the moment. I need to get the ears right and his belly sorted out. The photo I’m working from has him in a dogs rain cover or coat, but that is covering areas I need to paint. Three hours of work and I feel like I’m only shuffling forwards. But I’ll get there.

Sculpture

Lit by led lights, this sculpture at Keele University is striking. Spires of reflective steel radiate outwards. Each line of them diminishes in size as them move outwards. It seems energetic, yet constrained. Like a frozen fountain. At the centre is a low metal plinth or seat. I wanted to walk into the centre of it and sit or stand on it. But thought it might be too fragile. A peaceful place to contemplate the universe perhaps?

Blossom

It’s been a while since I painted this. It’s a cherry tree in blossom in the snow. I like turning trees into faces. When it happens that you can see faces in objects or photos it’s called Pareidolia. But if I create the pattern myself is it something else?

I may do some similar art soon. I will see if the idea appeals to me.

Dog, work in progress

Acrylic on canvas, a few more layers. The rough edges of his coat, where they touch the grass, need sorting out. The dig has got a silver coat and a collar and lead on which I’ve left out so I’m trying to decide where the shadows should fall and his fur. I think I’ve made some of it too yellow, I need daylight to check.