I’m painting a green woman and I’ve been trying to sort out how to differentiate the foreground figure from the background trees. I’ve accentuated the stripes on the bark and made them more black and white than in reality. Since the figure is abstracted in a different way I think it’s starting to work.
A really old painting I did from when we visited a BCB exhibition at Spode I think. I really liked this watercolour so I thought I’d share it. This was my selection for today’s #bandofsketchers prompt “pots”.
I’m sad to say that I didn’t get my painting of Molly Leigh the Burslem witch into the three counties open exhibition this year. (Staffordshire, Cheshire and Shropshire).
I know they had over 200 entries and it depends who is selecting the works of art. I also know that the exhibition has to be cohesive and not too eclectic. So will I enter again? Yes, but I will probably choose to do something less specific. But I’m glad I painted this.
The reason why? I painted something similar to this as a mural in the Leopard Hotel in Burslem, Stoke-on-Trent, several years ago. The building burned down a couple of years ago and I wanted to try and recreate the memory of it. The painting means a lot more to me than getting it in this competition. X
Ten years ago, three horseheads of the apocalypse!
Up until Covid we were merrily holding Mystery Plays almost every July. We had a fallow year where we did other things, but the central play was missing. But now a group of residents are working towards a 20th anniversary performance in 2025.
So on Saturday 6th July 2024 we are holding a Titchy Theatre fundraising event to try and enthuse people to get involved for next year. The event will be in Penkhull Village Hall from 12.30 to 2.30pm.
We had fun creating props from willow withies and paper and glue. The horses were based on Picasso style ideas.
I had just gone through an artists block. Sometimes I can’t paint, I come to a standstill. I don’t think what I was painting was that good, but I’m sure I felt better being able to pick up a paintbrush.
Since then my painting work has been up and down. I don’t always feel up to painting, and various stuff makes it more difficult. Painting isn’t just a physical ability, it’s a mental one as well. Both of those things are affecting me. Life sometimes gets in the way of intention. But I don’t give up. I will probably carry on somehow till the day I die. Art is my imperative in life.
My painting of a green woman is coming on. I did some more today. I’m adding more metallic colours, to bring out the sheen on the leaves. Also I want to improve the background of the image. Hopefully it will feel more coherent when it is finished. Acrylic on canvas.
I added shading to a rose painting I started a couple of weeks ago to give it more depth. It is one of those blush roses, with pink and red on the edges of the petals and some yellow further down. Roses are beautiful flowers, but the simplest of them, like wild roses, Rosa rugosa, are better for insects to pollenate and collect nectar. That is because the petals are open and the central part of the flower is easily accessible.
Unfortunately a lot of flowers are now being bred to have twice the petals (doubles). They look beautiful and interesting, but they make it hard to pollenate by insects like bees and they are frequently infertile so they don’t produce viable seeds.
Look for bee friendly plants if you are looking for flowers for your garden.
Small abstract swirling wave pattern I gifted to someone last year. She has it on display. I don’t remember it being so metallic but it may be the lighting she has used.
I had some modelling paste that I used to build up the surface and make an impasto effect before painting over it. I guess it could crack if it was bumped or knocked. I do love experimenting.
Looking through some old photos on my phone, I found this painting of a hare I did a few years ago. I posted it to a group on Facebook which has weekly prompts. This week’s was #animals. This is an acrylic on canvas.