Oh I do like a good hanging basket. This is one from a couple of years ago, I think it was one I planted myself. The red flowers are pelargoniums although generally they are called geraniums. The purple ones are Petunias which are also called Surfinias. It’s interesting how names can be changed for fashion or trademark reasons.
I wouldn’t normally post a meme here but I love this one. I think art is so important and yet life gets in the way of people becoming artists. There needs to be the freedom to create, I don’t think people can be a square peg squeezed into a round hole. They should be allowed to do art if they want to. X
Every so often I paint one of the iconic bottle ovens from Stoke-on-Trent. These were where pottery was originally fired with coal fires. The city would be covered by a pall of thick smoke, morning noon and night.
They sometimes had metal bands wrapped round them to strengthen them, and the old bricks can shine like gold when there is a lovely sunrise or set. Arthur Berry, famous artist of Stoke-on-Trent used to speak about the beauty of the potteries towns. He painted and drew abstracted views of the six towns. He’s known as the potteries Lowry.
This painting is of a derelict oven, I’ve painted clematis growing up it, rewinding the ancient landscape. The blue area represents the local canals, it’s shape mirrors the bottle oven. The flowers in it represent the abstract canal roses that are found adorning canal barges throughout Britain.
Brands? You can keep them. Expensive, exclusive, snobbish, wasteful, fashion victims.
I have never really bought brands, especially clothes. I don’t feel they mean anything to me. I can see how expensive brands exclude the majority. Or people spend money they can’t afford to go one better than their neighbours.
In some ways I can see the manufacturer Ford’s argument that you could have any colour of car so long as it was black! Now people want exclusive sports cars, or utility vehicles. But to me as long as a car gets me from A to B safely and at no great cost? I’m happy. It can be shabby, growing moss on the bodywork. As long as I can use it for transport that’s fine.
Imagine the savings? You don’t have to spend too much to get something decent. If I can I will try and choose reliability and boring mundanity over glitzy, showy brands. And with those characteristics you can have something that is less likely to get stolen. It makes life easier not to bother with brands.
I started drawing circles, then decided to run it through several iterations of photodirector using it’s AI style button and adding a background of butterflies, then sending it through the AI texturiser again. I think it makes a quite gentle image, I like the colours, enhanced in the Clarendon Instagram filter. I do enjoy experimenting.
I have been ill and down for a while and I need to start feeling better and reclaim doing some real art. Yes I can work on my small phone screen and create small pieces of digital art, and yes, over the years I have done a lot. But I begin to need to paint again. It must be a good sign? I’ve got to stop being frightened of creating, fear of failure is holding me back. Will I ever get through being blocked? At least now I can admit I want to.
Exercise in perspective. Digitally manipulated photo of a door and window. It’s created an apparent corner where non exists. I tried rotating the image four times until I was satisfied with this picture. I used the incollage app to do it, I was previously using the old Instagram layout app.
On beach holidays I draw seahorses like this on the sand. I will use a stick to draw it out and sometimes use pebbles to decorate it. These drawings are ephemeral, disappearing on the high tide, tracked over by footsteps, lost in windblown sand. Seahorse is a half horse, half fish. I just draw, them for fun.
Sketchbook app using the watercolour pen options to create a flowing, wet in wet effect. It’s a portrait of my hubby, watching TV on a quiet Sunday afternoon. I’m so pleased I found my stylus (I had to glue it back together) it’s much more controlled than simple finger painting.