Writing about dragons

My college project is about dragons. I have to write a report and I’m getting bogged down with all the information I’m trying to put together. From dinosaur fossils that could have been mistaken for dragons. To their ancient mythological history. Then I looked at Bestiaries and the bible. It’s surprising how many places they appear. There is a dragon or group of dragons for every continent. So much so that I cannot talk about all of them. They seem to split between benign and protective beasts or evil and sly. Then I look at the symbology of them. I tried to include some semiology within the report. Finally I’m looking at modern imagery, novels and children’s stories. I’ve also started to write a children’s book and I’m using my illustrations for it. I hope to finish writing soon but each time I think I have finished I find more to put in and more to edit out. I think I have too many quotes and I need to put more in my own words.

Black and White

Image from an edition of The Yellow Book by Aubrey Beardsley. I’m drawing images with strong black and white areas for my report and portfolio. I admire Beardsleys skill with lines and curves. Everything is slightly exaggerated. The blocks of black and white are so strong. But there is a delicacy with the details. It’s so neat and precise. I can’t remember if this is art nouveau?

Baby 🐲 dragon

For as many artists that draw and paint dragons, there’s a different style, shape, pattern, technique or colours.

I’m studying an illustration course and my final report is about the mythology and history of dragon illustration. I’m having to find out more about them, from the possible link with fossilised dinosaur skeletons, to medieval bestiaries, to more recent art including children’s and adult fiction that includes either dragon illustrations in the books or on their covers.

Here’s a question. Does anyone know any interesting dragon stories I can investigate? I have Ursula K Le Guin, Terry Pratchett, Anne McCaffery, Cressida Cowell, J. R. R Tolkein, T. H White and other authors. Are you aware of more?

Thanks x

A Zine…

I tried making a Zine, a concertina of pages with my college images stuck on them. I didn’t know how to make a book and this helped me to work out how to display individual images but as a collection. I intend to try and get pages printed off and then put them in some sort of binder. I also need to do the first inside page and title page plus the front and back covers. I probably don’t need to do the whole thing but it’s a lesson so it’s worth having a go C

Medieval bestiary

Part of my college course is to write a report as part of my final submission. I’m trying to produce something about the historical illustration of Dragons. From China and Japan, to the medieval era including images from medieval bestiaries, and on through time to the present day. But its such a huge subject, with so many branching ideas. When did dragons go from no limbs to four limbs, to four limbs and two wings? How has the depiction of their heads changed? Were they always fire breathing? Are they spirits or ‘real’ physical beings (albeit in a fantasy world). Do they communicate with humans, are they intelligent.

My intention is to identify types and styles of dragons. Describe how they have been depicted and expand my knowledge of the illustrators creating them and their incredible imaginations.

I’m looking at authors like JRR Tolkien, Cressida Cowell, who also illustrated their books and Josh Kidby who illustrated the covers of Terry Pratchetts ‘Discworld’ novels among others.

Anxiety

Same drawing repeated and coloured. Toooo Close (too close) in red as if a neon sign was lit against a bright green (viral) background. Duplicated to get a feeling of crowded closeness. No one wears a mask. All have faces with staring eyes, All on about the same level so their breathing is near to each other. Title ‘Anxiety 4’,i did three previous sketches.

house portrait

From May 2020, when I first started my part time illustration course. I am still quite pleased with this drawing. Physically, I was fitter and could draw without shaking too much. I tend to add less details these days too. I’d like to get back to drawing outside. Maybe meet up with urban sketchers again. Even though I havent caught Covid, it’s done things to me mentally. I guess I got a bit of cabin fever during lockdown, and since then it’s been easier to avoid people – you never know if you will just burst into tears… I think I’m OK, god knows what its like for people living through wars or famine. We can still do things here, well some of us can. I worry for people in food poverty or who can’t afford to heat their homes. It all spins round in my head. which is why I’m writing this at 3.11am…. must go to bed.

In the second world war and afterwards they had ordinary people just writing down their everyday lives in diaries. They were collated to record what had happened. There is a film called “Housewife 55” or something like that, which starred Victoria Wood. If you can find it, it’s worth watching, very poignant. maybe they were their own kind of bloggers.

Back to college

I need to start working on my college project. I’ve given myself time to recover from a bad cold, but I can’t ignore it. I need to produce a portfolio of images and a report to go alongside it. I’ve decided to write about the history of dragons in illustrations. Their images in world history, moving forward in time to medieval art and then the present day including their appearances in literature and film. My portfolio will be illustrations and text for a children’s book exploring colour and pattern alongside an adventure. I hoe it works out.

Loving Vincent

Attempt at Vincent Van Gogh’s style

I saw this film late last night and was enthralled by it. Each individual frame is hand painted in Van Gogh’s style. The son of the postmaster where Van Gogh used to live goes off to try and deliver a letter from Vincent to his brother Theo, after his death. When he finds the brother is also dead he decides to take the letter to the Doctor who was treating Van Gogh before his apparent suicide.

The film covers the year after Van Gogh’s death and shows in black and white flash backs incidents that might have happened between Vincent and the people around him. This is told through a series of conversations between the postmaster son and various characters.

This is a visually sumptuous film in Van Gogh’s style. The Polish/British co-production is stunning and intriguing. The gradual understanding of what happened makes for a satisfying investigation of the circumstances surrounding his death.

Release date: 2017 (United Kingdom)Directors: Dorota KobielaHugh WelchmanMusic by: Clint MansellBox office: 42.1 million USDAwards: European Film Award for Best Animated Feature Film