New paintings and regular art updates.
As I listened to the continuing news of the Queen’s death I decided to recreate a digital drawing a couple of days ago as a painting. It’s not exactly the same, but yet again I’m focusing on pattern and trying out the experimental style that I have been using recently. See what you think?
I’ve wanted to alter this painting for a long time. I had a grey blurred background before but it just merged in to much with the Barn Owl. Now it stands out against the night sky. I also added many tiny stars. I could have flicked splashes of paint but I wanted more control over where they went.
It’s going to be a poppy painting, with poppies scrolling down a long thin canvas. I want to evoke art nouveau, those tiles that were placed on either side of fireplaces. I will have a look at the style of the kind of artwork. When I’ve filled in some of the colours I will show another version. My idea is to make something subtle and beautiful.
Three years ago I painted my hubby ‘my green man’. It came up on my Facebook memories today. He is a green man, gardening does him good, helps him to try and relax. He is a bunging in gardener, there’s no rhyme or reasoning to his planting, and he just plants things where he likes, but he must have green fingers. That’s why I painted him as a green man. Acrylic on canvas.
Ten years ago I painted this beautiful flower. I think it’s a type of poppy called Shirley, I grew some from seeds. What I like is the pale centre instead of the usual dark, or black pattern in the middle. I deliberately used a pale background to compliment the light reflected on the petals. When poppies unfurl from their buds they look papery but they are quite strong, not delicate, its just a shame they don’t last very long and soon fade.
I just took my Heron painting to the cafe at Etruria Industrial Museum to swap it for the one of the waterfall that I have sold. I will try and deliver that to my friend soon who bought it from me. I need to do some more work because I have the opportunity of showing some small paintings at a new venue that is opening up in Middleport, Stoke-on-Trent, near the Middleport pottery. I’m trying to grab opportunity where I can.
You could go to a beach and find someone just painting stones as a job (Lulworth Cove in Dorset). A respectable way of earning some money as an artist. Sitting in the sunshine, working on imaginative designs. We bought one with a blue octopus painted on it. The stones were probably collected off the shingle beach (yes I’m writing about different shingles). I would love to go back there but I doubt this artist would still be plying his trade. Yes the world has changed.
It was called Dasies. The figure in the doorway was my friend at the time. But like the painting she was strange. A complex person that tried to do things and disturb my life. I think she might have been OK, but one day she did something that completely lost my trust in her. I won’t go into detail, but she showed an uncaring side that really hurt me and my hubby. I could have forgiven her, I could have accepted her apologies, but why should I?
What do the Dasies and plants signify? Because it was before the split, I think probably I was trying to beautify the image. The garden was not as floriferous as this. It was a gift for either her birthday or Christmas. She was good at hiding her thoughts and the slightly surreal air was trying to capture that. I think most of my paintings are quite narrative. I’m glad I kept a photo of it, I have lost track of the paintings I have done over the years. Perhaps this ended up in the bin?
a few years ago at lifedrawing at Burslem Schoolo of Art, just found this photo- watercolour painting.
The sun is setting earlier now. It was dark at 9pm today, and the sunrise is later too. In September we will reach the point when day and night are of equal length. Then in October we will revert back to Greenwich mean time and lose an hour of daylight in the evening. Although we gain an hour on the morning I think it’s sad to get darknrss earlier just when you want to cling to brightness.
Why talk about this? I need to get a daylight bulb. I find if I paint in normal electric light the colours I use look different from in the daytime. They are often distorted, I find I can’t see yellow properly compared with white. I also think LED lights are a lot dimmer than the old 100 watt bulbs and you can’t get a bright enough equivalent. I want to be able to see colours properly so I can paint better.
Mallaband-Brown