New paintings and regular art updates.
Self portrait reflected in a stained glass window at Little Moreton Hall in Staffordshire. The idea was to create a ghostly image in keeping with the age of the property. I could have gone all out and added an Elizabethan headdress but I didn’t want to over complicate the idea. The painting is set at sunset when things get a bit more spooky. I do like creating narrative images.
My friend took this photo for me as the camera on my phone keeps glitching. I’m part way through painting a green woman for someone and I want the background behind her to be trees.
There are silver birches in the grounds of the community centre where I attend our art group so we went out and I chose the trees I wanted pictures of. It helps to see the shapes of their trunks and branches instead of trying to imagine them. The details of the bark are fascinating and I hope to try and reproduce the patterns.
I’ll post a photo of the work in progress later but I want to tidy it up a bit first, it’s a bit like a mediaeval illustration at the moment, I need to make it more subtle.
I think there’s a bit of Pareidolia going on here as I can see a face in the tree bark.
What topics do you like to discuss?
That’s why I like trying to paint astronomical pictures, like this tryptic of Jupiters pole based on the photos by NASAs Juno probe.
I’ve always been interested in both subjects, I wouldn’t say I was an expert, I will always check my facts if I write about science, but I enjoy thinking things through. And having a visual mind helps me imagine how things work.
Art is my first love, I worry that I will find it increasingly difficult to create since my diagnosis with Parkinsons disease. I would be bereft if I could not continue. I hope that better treatment becomes available, another reason for being interested in science
Painting that just popped up on my Facebook memories today from 9 years ago. It’s a picture of a green man sea spirit. The image was based on a terracotta face I had outside my back door. There is a crack through it which was caused by frost I think. I changed the colours to reflect its maritime appearance. It has a similar feeling to the Air painting I just published, a spiritual or mythical feeling. Acrylic on canvas.
Blurry photo of my painting Air, part of four images including Earth, Water and Fire. I imagined the spirit of Air, rather like the faces of cherubs with puffed out cheeks blowing storms across ancient mariners maps the yellow and orange at the top is the sun being hidden behind clouds. I like the cheeky and mischievous face that stares out of the painting. It’s probably a little anachronistic, almost Victorian in style, but it’s a semi abstract acrylic on canvas. I just wish I’d taken a better photo. It is for sale.
Something my mother collected, possibly a wedding present from the 1950’s? I’ve always loved this set. I borrowed it off my sister so I could use it in some college work about dragons.
This is a Chinese dragon I think? It might be Japanese, the way to tell is the number of toes on its feet. I think I remember that Japanese dragons have three toes and Chinese have four or five? If you know please remind me.
The coffee set was probably made for the export market and won’t be worth a great deal but I like it, it’s quirky and interesting. I think the dragon itself is quite humerous. I like the colours, also the airbrushing and the slip trailed areas.
I just Google imaged this, it’s Japanese Moriage Bone China.
When the Orme Art Group Exhibition finished this weekend the gallery at the Brampton museum asked if they could use my willow pattern painting in their next display of bird paintings and images. I was pleased to leave it up. It’s there till the end of May!
The painting is done in acrylic on canvas. It’s based on a few willow pattern pots, I took different aspects from different images so it is unique.
Years ago I could draw well and u think I had good skills but now? The real thing I regret about having Parkinsons disease is that my manual dexterity and hand eye coordination are getting worse. I don’t know what the prognosis is but the Parkinsons nurse I spoke to at my last appointment told me that the tablets I am taking do not necessarily calm down the, shaking and tremors I’m experiencing. I thank the Internet for spellchecker because I don’t know if my writing would be OK without it. I can still draw but it takes time and at least I can digitally erase my mistakes. If I draw normally the shakes on my left side mean the sketchbook I’m using jerks around all over the place. So it’s easier to use an easle. My right hand is a bit more controlled if I concentrate hard. But Art is my whole life, if I can’t do it what will I do? I must learn to adapt, take the treatment I am given and hope. But there are other health problems I’m facing. I just have to have more tests…
A friend now has this painting of Koi carp swimming at a pool in a garden centre I did a few years ago. Perhaps I will have to do more wobbly paintings now I have Parkinsons disease. I hate the thought I might not be able to paint. Someone asked me today what I was going to do if I don’t paint. I don’t know. It’s always been part of me. I know my manual dexterity is deminishing. I hope something can be done about it. At the moment I’m mentally staring at the ocean not sure if I can dip my toes in anymore?
Where do you see yourself in 10 years?
I’m out of my studio, and I’ve lost my partner, but I don’t want to give upon life just yet. I’d like to future proof my life, make it more stable again. I don’t know how I’m going to do that but I’ve got to try.
I’ve always said I want to be around when Halleys Comet comes back. That’s not till 2061! I know it’s a big ambition to last such a long time, but why not? I’ve got to have some goal, yeah, the next ten years will be hard but I want to last longer than that!
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