Artrage oils and photodirector used to make these slightly worried faces in a crowd. Perhaps I should have given one of them a mask? They certainly feel crammed together. And what are they watching? Why are they there? Is it something pleasant or unpleasant? Who can say. From the depths of my mind to the page. I sometimes don’t know what’s coming!
Last night the cats stayed out till dawn. I called them every hour but they were not bothered. The two indoor cats are fine, they love being out now. They sit on garden walls and seem to stick together. They follow the outdoor cat around and the dynamic between them all has really settled down. They are being very loving when they are in. Lots of purring and cheek rubbing. They seem to be staying round the back of the house and garden, keeping away from the road.
If I can find them in all the foliage I will try and post some photos of them.
This was one of the portraits I did in a student led portrait group at college during the last few months.
The face was mostly drawn with one of those ink rollers you can use to blank out your address on letters so that you can throw them away without anyone seeing your details and stealing your data. Its quite hard to use because you have to sort of turn and twist your hand and press firmly to sketch curves. AfterId done that I added colour using pastels and the thick black lines were done with black calligraphy pen (most of these have run out so I need some more).
I quite like the strong feel to this. I am trying to find my illustrational voice. I have been told to look for illustrators that my work resembles, but I think mine is different? Is this a good or bad thing? I’m definitley developing my analogue skills. Digital work is more difficult for me.
I went a bit mad for this, today’s #bandofsketchers prompt dancer/music. Made a drawing in metallic watercolours of a ballet dancer, I didn’t base it on a particular pose. When it was finished I wasn’t happy so I drew over it, then changed it in the photo app on my phone . I’m including all three versions I saved.
The monoprint was made by rubbing paper onto black paint brushed onto silver foil and then scratched through a bit. I then cut out a shape to fit to the shape of the woman body and arm, side of the face and hair, (basically the shaded side of her face and body). This was a bit nerve wracking as I only had ten minutes to do the cutting out, sticking, and drawing the rest of the portrait. I used the monoprint from a stock of them I’d made already.
View of Trent Vale and Clayton from Thistley Hough
We went for a walk in the evening yesterday, and instead of just taking photos I took a small sketch pad with me. I couldn’t draw all the details I could see and because its black and white it’s hard to get shade and tone, but I did my best. The two blobs in the sky were hot air balloons. Too far away to see any detail and they were travelling sideways on to us very slowly (left to right). This took about 15 minutes, just trying to get an impression of the view over the valley. I wish I didn’t shake, my lines are very wobbly!
Today’s #bandofsketchers prompt was Space. It is a favourite subject. I love the Sky at Night Programme on the BBC. I’ve tried to paint the Whirlpool galaxy, using Arteza metallic watercolours and some black and white acrylic. A bit splodgy but the detail on the photo was overwhelming.
Today’s #bandofsketchers prompt was outline. I decided to draw my right sandal and left shoe (no I don’t wear them together). Black ink fine line pen. It was good to do a simple drawing for a change.
The results of this semesters work on the illustration course I am doing are not due out till the middle of June but we go back to work at the start of June. So effectively we are starting back without knowing if we have passed or failed. The fees are due so you might also pay without knowing if you are allowed to continue. To say there are quite a few nervous students about is no joke. Tied in knots, waiting to see what happens next.