New paintings and regular art updates.
I wouldn’t normally post a meme here but I love this one. I think art is so important and yet life gets in the way of people becoming artists. There needs to be the freedom to create, I don’t think people can be a square peg squeezed into a round hole. They should be allowed to do art if they want to. X
Every so often I paint one of the iconic bottle ovens from Stoke-on-Trent. These were where pottery was originally fired with coal fires. The city would be covered by a pall of thick smoke, morning noon and night.
They sometimes had metal bands wrapped round them to strengthen them, and the old bricks can shine like gold when there is a lovely sunrise or set. Arthur Berry, famous artist of Stoke-on-Trent used to speak about the beauty of the potteries towns. He painted and drew abstracted views of the six towns. He’s known as the potteries Lowry.
This painting is of a derelict oven, I’ve painted clematis growing up it, rewinding the ancient landscape. The blue area represents the local canals, it’s shape mirrors the bottle oven. The flowers in it represent the abstract canal roses that are found adorning canal barges throughout Britain.
I started drawing circles, then decided to run it through several iterations of photodirector using it’s AI style button and adding a background of butterflies, then sending it through the AI texturiser again. I think it makes a quite gentle image, I like the colours, enhanced in the Clarendon Instagram filter. I do enjoy experimenting.
A painting I did in situ in a house in Robin Hoods Bay in Yorkshire about 7 years ago. We were away on holiday and we’re impressed by the house which had it’s living room at the top of the building to give views of the cottage rooves and the sparkling sea in the distance. Sometimes I want to visit there again. .
My attempt at wax resist printing that I did with the brilliant Belinda Latimer a few years ago. I enjoyed trying to do Batik in her workshop, creating layers of colour. I also did a print of a couple of fish that I called Pisces had framed in a deep wooden frame. Another example of my experimental art practice.
What could you do more of?
I have been ill and down for a while and I need to start feeling better and reclaim doing some real art. Yes I can work on my small phone screen and create small pieces of digital art, and yes, over the years I have done a lot. But I begin to need to paint again. It must be a good sign? I’ve got to stop being frightened of creating, fear of failure is holding me back. Will I ever get through being blocked? At least now I can admit I want to.
Exercise in perspective. Digitally manipulated photo of a door and window. It’s created an apparent corner where non exists. I tried rotating the image four times until I was satisfied with this picture. I used the incollage app to do it, I was previously using the old Instagram layout app.
On beach holidays I draw seahorses like this on the sand. I will use a stick to draw it out and sometimes use pebbles to decorate it. These drawings are ephemeral, disappearing on the high tide, tracked over by footsteps, lost in windblown sand. Seahorse is a half horse, half fish. I just draw, them for fun.
Slate retaining wall holding up a grassy bank. Drawn in the Artrage app on my phone. Imagined from when we’ve visited the lake district and Wales. There is a metallic slider so I’ve added it to give the slate a wet sheen. For todays #bandofsketchers prompt ‘slate’.
Sketchbook app using the watercolour pen options to create a flowing, wet in wet effect. It’s a portrait of my hubby, watching TV on a quiet Sunday afternoon. I’m so pleased I found my stylus (I had to glue it back together) it’s much more controlled than simple finger painting.
Mallaband-Brown