I went to a Batik workshop about three years ago when I first got my studio at Spode. I’d never done it before, but basically we used hot liquid wax as a resist to dyes. When you paint coloured dyes over the pattern you make, the colours are not absorbed into the cloth or canvas where the wax had been painted. Then you have to het a hot iron and paper and iron the wax out with the paper between the cloth and the iron so the wax gets absorbed into the paper. There is probably a clearer way of explaining, but as I say I only went to one workshop. My friend made this heavy frame for the yin yang cats. There is glass in it to protect the fabric. I was rather pleased with the result.
I mmust have been feeling cheerful when I did these paintings plus a batik picture of some fish. The first bottle oven painting is an attempt to do a clarice cliff design. If I did it now I would make the building more curved. The batik is sort of a Pices idea. The dragonfly was an interesting compositon and the half bottle oven is meant to be mirrored by blue sky or water in a canal. It is slightly remenicent of a yin yang symbol. The exhibition was held at the warehouse at Etruria industrial museum at Etruria, Stoke-on-Trent three years ago. At the moment we cannot use the building because of covid19.