This is the glass drop piece that I mad in Angela Ashtons glass workshop thy I put together last week. I think it’s turned out really well. I am going to put something on about some glass marbles and my smaller glass pieces later on, but I’ve been out since 10am and it’s almost 6pm and to be honest I’ve sat down and don’t want to move!
I love working with glass. I’m so glad I’ve started exploring it. Thank you Angela x
My back yard, fern at spode, carnations at spode.
Just a few plants I saw today. The ones in the yard are mostly in hanging baskets that are billowing out in great waves of colour. The fern is a shuttlecock fern I think because its fronds radiate out from the centre and it looks like the shuttlecock used in badminton. The third picture is of carnation flowers planted up with a blue grass. These last two were taken at the Spode Site at Stoke. There are plants that are planted up by our stairs that soften the edged of the semi derelict buildings there. I love plants.
On a bright sunny day Spode can be fascinating. The huge chimney with its Spode sign and the skeletal remains of the factory show a stark yet beautiful side of the manufacturing world.
Spode Site is in the town of Stoke-upon-Trent and is situated in an area bounded by Glebe Street, Church Street and Eleanora Street.
The site is mostly off limits to the public, but studio holders and visitors are able to access parts of it to use and to produce arts and crafts and enjoy workshops.
The hotel at the site seems to be doing well and they have expanded the area outside for seating.
Then in September the BCB (British ceramic biannual) arrives in town. There should be plenty to see and do.
Here are a few more photos of the exhibition courtesy of Sarah. They are all wide shots. I’m going to get some digital photos done of each one.
Only two more days and it will be down.
I’ve started work on this painting after a gap of a few months. I think it just over faced me, it was too big, to difficult (I’m working on it by looking at my phone).
And this last few days I haven’t felt well enough, but I started work on it this morning and did a good few hours on it.
So, where am I painting? In the house, not my studio. That’s the other thing, physically I feel awful. Mentally, I’m OK but don’t feel like I want to go out. We went for lunch with a friend today, but came straight home afterwards because I was exhausted, literally shaking. I don’t think I’m getting worse, but it’s taking time to recover and I know I’m pushing myself. But I have an exhibition next week and I haven’t got everything done. It’s very last minute……
This morning I realised it will be forty years in September since I started my degree in fine art painting…and I have never stopped….
The Exhibition of Blue opened tonight at Spode Site at Eleanora Street in Stoke, Stoke-on-Trent..
As you can see from the photos there was a great variety of work on the breif Blue. Everyone had to produce art in Blue with only the addition of white, black and grey.
There were glass and resin pieces, acrylic pours and paintings. Drawings and photos, installations with blue lighting and wall painting and fabrics. We were also entertained by an artist with a beautiful voice who sang the blues.
There were also blue cocktails for people who attended the exhibition. The only real downside was the temperature. The Spode studios are inside an old pottery building. The place was once filled with pottery kilns so it was not built with much insulation. It can sometimes be colder inside than it is outside. The exhibition continues till at least Sunday. It may continue next week but it has yet to be decided.
An Exhibition of Blue opens at 6pm tomorrow night. I know what I have painted but I can’t wait to see what others have done. I could have sneaked in to take a peek but I want to enjoy the suspense like waiting till Christmas afternoon before you open your presents or looking through an assorted box of chocolates looking for my favourite piece.
There are a lot of exhibitors ranging from glass and light installations to possibly found objects. I know someone has based their art on an old blue and white plate design (with a modern twist), I don’t know how my work will compare but it was a pleasure to work with the organiser to enter a painting to the exhibition.
The excitement is increased because I want to see how different people have interpreted the colour blue.