New paintings and regular art updates.
A few paintings and cards at the Waiting Room gallery. I was thinking of doing a craft fair stall soon, but it’s too far away if I have to drive on my own. Since my arm started shaking I won’t drive far without my hubby. Not because I can’t but because I get very tense and my shoulders ache. I might try and get involved with something closer to home. In the meantime I need to work towards the end of my MA and also an exhibition I should be having in the spring or summer.
Can you see my face?
Looking in to your space?
A ghost in the window
Trapped in the glass
An image of when
I came here last!
Little Moreton Hall
Tudor house
I was here a while ago
And I saw your face.
I was startled
Not my reflection
But an old woman
Dressed in silk
The colour of lemon.
So strange to think
You may see me
I see you too
Bizarre
I shout Boo!
I painted this a few years ago. It’s an octagonal platter shape. I used a few images of willow pattern plates and amalgamated them. It’s mostly based on a Spode style of pattern. The edge design was made up by myself. The painting is meant to look like the platter is leant up against a background. That’s why I added shadows and played with adding a reflection below it. I can’t remember what else I added to it. I did a series of paintings of ceramic objects, there was also a jug and a teapot and a large vase painting. It was good to imagine pottery from my adopted home of Stoke-on-Trent.
I was in the studio at Spode painting this image of one of the poles of Jupiter. It was based on a photo from the Juno probe to Jupiter. I was amazed at the blue colours and the strong swirling currents in the cloud scape. I hope to go back to the studio soon, but I kept away because of underlying health conditions. I’m probably being over protective but I want to stay safe. I could go back, but I’m waiting till Omicron and Covid have really reduced. Our government say people don’t have to wear masks anymore. I’m not that confident. X
A banner for one of our Penkhull Mystery Plays. We hold them most summers and the one this was painted for was about the pottery industry and its history. This banner was based on the willow pattern famous in the potteries. Spode was one of the factories that made plates and pots with this design, but if you Google ‘willow pattern’ you can find lots of images from many manufacturers.
Blue acrylic paint on a canvas cloth. It took me a while to paint. I also painted the local church and methodist Hall as they would have appeared in the late 19th and early 20th century.
And then I paint planets too!
Acrylic on canvas, I’m interested in astronomy and this view of the Earth was taken from a photo. It shows parts of Africa, Greenland, Europe and the Americas. I think you can see the wind directions indicated by the clouds.
I’ve also painted views of the Moon, Jupiter and Mars, together with nebulae and galaxies. It may be something I do again.
I added my easle yesterday. Today I’m showing you my easle two years ago, I did a painting of Etruria Flint Mill. It’s also called Jessie Shirley’s Bone and Flint mill I think? It’s the only working Steam driven Flint mill in the country and the flints and bone were crushed and ground using the power of the steam driven beam engine there.
The buildings are part of Etruria Industrial Museum, a complex of cafe, the museum displays, and the Flint mill on the Trent and Mersey and Cauldon Canals at Etruria, Stoke on Trent. I’m not sure of its opening times. But once a month it used to be fired up and you could watch the fly wheel rotating round and the pans where the flints were ground rumbling as the engine turns them. Its amazing to see the industrial archeology of the potteries in action.
A couple of years ago I painted this picture of Earth. I was trying to get the shading right so the clouds sit above the surface was difficult. This is North America, Canada and part of Mexico and the Caribbean.
I hope the cloud shapes work and you can see the weather patterns. I wonder if anyone would be interested in paintings of worlds. It’s something I’m interested in. I’ve painted pictures of Jupiter and other astronomical images. I don’t use an airbrush for painting so it’s quite hard to get the granularity and softness of space and planets.
I do try and be accurate with my paintings, hopefully getting good realism. I was once criticised in a newspaper review about an exhibition I was part of, they said if I wanted to be a super realist I should have tried harder. The thing was, I wasn’t trying for super realism! If the journalist had actually spoken to me I would have told him that. I do work from photos sometimes, particularly if it’s a commissioned portrait or painting of a landscape. If I do a painting of a steam train it’s got to look right, you can make it up. I love painting, which to me is the accurate manipulation of liquids on a surface. I do try. X
An acrylic on canvas painting I did in 2013. It popped up on my Facebook memories today. I can remember enjoying getting the texture of the building right. It looked like a great place to visit. This portrait was a Christmas commission. The person I did it for was very pleased.
Mallaband-Brown