Nights drawing in

The sun is setting earlier now. It was dark at 9pm today, and the sunrise is later too. In September we will reach the point when day and night are of equal length. Then in October we will revert back to Greenwich mean time and lose an hour of daylight in the evening. Although we gain an hour on the morning I think it’s sad to get darknrss earlier just when you want to cling to brightness.

Why talk about this? I need to get a daylight bulb. I find if I paint in normal electric light the colours I use look different from in the daytime. They are often distorted, I find I can’t see yellow properly compared with white. I also think LED lights are a lot dimmer than the old 100 watt bulbs and you can’t get a bright enough equivalent. I want to be able to see colours properly so I can paint better.

Back to craft fairs?

I have tentatively put my name down for a couple of craft fairs later in the year. It’s taken a while because I’m still concerned about covid and being in crowds. I’m trying to lower my anxiety levels. I went to an outside event at the weekend but still put a mask on when I went inside. As the craft fairs will be inside buildings I will be very aware of the situation. I’m still not going into my Studio at Spode and I think it’s the same thing. My shaking arm appears to be caused by anxiety (I do feel very tense), I might be getting some help, I’ve got to find out what’s available but hopefully I will be able to get back to normal eventually.

Got to paint more

I’ve been asked to paint some of my small paintings, bees, birds, cats, maybe dogs, flowers. But I might add a few small mechanical paintings too.

How can I know my audience? Mainly by what has sold before, but also what is liked on social media. I cannot paint exactly what someone wants without getting a description of a commission from them, but I can try to get an inkling of what is interesting. For instance I have been painting more abstract images, but I feel they are more fine art subjects. If someone buys a tiny painting is that more of a craft piece. I need to know because if I carry on I need to earn a crust or two, even if it’s only a crumb sized one! We will see.

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Another memory.

The Leopardess at the Leopard Hotel in Burslem. She was supposed to be a mixed race woman that married the owner of the hotel and came to England to run it. I was told several tales by the landlords of the Leopard while I was painting murals there and I really wish I had written them down. But you know what it’s like. You are standing on top of a set of stepladders and chatting while you paint. You have ideas for each mural and have to fit in with what the owners want you to paint. Sometimes I was in the Arnold Bennett suite on my own for hours (I’d go up after work), listening to old creaking timbers and odd noises. It could be spooky in there. My memory isn’t what it was.

Lion

I’m in another group of artists who come u with challenges to post to every week. The pictures don’t have to be recent (thankfully). This was for #safari, I painted it about four years ago and it went to the local ‘Lions’ club which is a local charity. What else can I say? It’s acrylic on canvas, about A4 size. I don’t paint every single hair or piece of fur, but I try and get an impression of how the animal looks. I generally do cat and dog portraits but am not too bad at most animals x

Hand painted jug

I did this a few years ago. Living in the city of Stoke-on-Trent means there are places where you can pay to paint pottery with glazes and then collect the finished piece a week or so later. I found a place in Burslem which was about half the price of other potteries and the vase was double the size. I think it was called Stafford Pottery, its on the opposite side of the road to Burslem Town Hall. I gave the resulting jug as a Christmas gift. I usually paint cats but have been known to paint horses too… I know it’s mainly a kids thing, but it is fun.

At the exhibition

Me with my coast painting at the three counties open. It’s got a red dot ( not on the photo) because it’s sold. I have to day I felt privileged to be amongst such talented artists. There were around 100 pieces of art and maybe 300 people? It was very hot, humid and crowded. We stayed till the speeches were over but then I had to get out.. I felt overwhelmed and claustrophobic. I was ready to run! At one stage a wasp came in the window and I almost knocked a man over trying to dance out of its way! Pirouetting with a glass of wine in one hand and flapping uselessly with the other. I wish I’d worn a mask. Nice to see old friends but after just over an hour we escaped…

Heron WIP

I decided to transform the reeds painting, an abstract picture I thought I had finished yesterday. It was a bit abstract but it didn’t fit in with the other paintings I had been doing. What to do? It needed some more colour and a focus. I added glittery, shimmery paint between the reeds to try and make the water behind the reeds stand out. I was thinking of adding a small bird like a Reed Bunting, or a Coot. But in the end I decided on a Heron. The colours fit in, it’s camouflaged but recognisable. This is still a work in progress.

Art for sale

I have four new paintings up for sale at Etruria Industrial Museum cafe. This is Etruria, Stoke on Trent, Staffordshire. This Saturday and Sunday there is a steaming weekend at the Flint mill when the Steam engine that was used to provide power to grind bone and flint to be added to clay to make fine bone china. Come along and see the working steam engine and maybe stop for a cup of tea in the café if you happen to be near Stoke on Trent.