I just found this photo, and my mind is taken back to a Sunday afternoon in Prestatyn, Wales. We were visiting family and decided to call in here to have a coffee and cake. The place was part cafe, part second hand shop. The window ledges were covered in succulents (money plants). I remember a huge Teddybear on one side of the room with a big nose. A teapot sign hung in the window. The cafe was near the railway station.
Teddy bears and teapots cafe, Prestatyn
Taking a sketchbook out helps me remember places, it gives me a reference point, and as it takes time to draw the image its not like a photo, it’s got less information but you can choose how it looks (miss things out, add things).
I don’t always remember my sketch books, but when I do, and I have the time to draw or paint I really enjoy it.
A banner for one of our Penkhull Mystery Plays. We hold them most summers and the one this was painted for was about the pottery industry and its history. This banner was based on the willow pattern famous in the potteries. Spode was one of the factories that made plates and pots with this design, but if you Google ‘willow pattern’ you can find lots of images from many manufacturers.
Blue acrylic paint on a canvas cloth. It took me a while to paint. I also painted the local church and methodist Hall as they would have appeared in the late 19th and early 20th century.
Another of my murals, four gentlemen meet to discuss the building of the Trent and Mersey canal. They included Josiah Wedgwood and James Brindley. They were said to have met in the back room of the Leopard Hotel in Burslem.
This image was found on a ghost hunter website. I didn’t give my permission for him to use it, but I guess I can’t complain because it means I now have a record of it. I will keep looking for more.
Like a water world with tiny golden islands on an ultramarine sea.
I have a few paperweights but this is my favourite. I look into it and am enchanted by how they managed to embed gold leaf into it. They must have gathered the blue glass and rippled on the black layer, then put gold leaf on and blown into the glass to make it split up or maybe just let loose gold leaf fall onto it? Then gathered (added a layer) of clear glass on top.
I’m only guessing about the technique but however it was done, it’s beautiful.
She stands in front of her cottage. Molly Leigh, the Burslem witch. Notorious and buried in the local churchyard at 90° to the other burials. The painting is based on a peasant woman painting by Theodore Gericault.
This was one of my murals in the Leopard Hotel in Burslem. The pub burnt down at the weekend. I am bereft. I am trying to pass on my memories to keep a feeling of what it was. I painted these on the walls. Emulsion on lining paper directly onto the wall. I’ve had a few comments that they could have been taken down. I don’t think people understand what a mural is.
Frosty leaves shiver in the breeze, Silver highlights Make them bright, Ice crystals like sugar Sweeten their pallor. A bad poem to go with this drawing of frosty leaves for the prompt.
In 2006 to 2007 I painted a series of twelve murals at the Leopard Hotel in Burslem, Stoke-on-Trent. Recently the pub has been closed down after the previous owner left.
I was asked by the owners Neil Crisp and Neil Cox to do a series of Murals based on the history of Burslem. I painted the Burslem riot scene whose characters included local residents and pub staff, a murder scene of a woman said to have been killed there, a pottery worker at the end or start of her shift. I also painted ‘the Leopardess’ one of the original owners, a picture of Molly Leigh, the Burslem witch, pottery owner Josiah Wedgwood, and three of his friends discussing the building of the Trent and Mersey canal. Also Arthur Berry, famous artist and my tutor at college. Walter a pub regular who had drunk there since his youth. A Clarice Cliff design called Umbrellas, and a painting of the Burslem Angel that stands in top of the old town Hall. I also designed and painted a design for a coat of arms for the hotel.
I always wanted some decent photos of the murals but only have a few pictures. The lighting was not very good in the Arnold Bennett suite. They at least are some memories I have.
The pub was renowned for being haunted and regular ghost tours of the empty hotel rooms attracted a lot of attention. It was even featured in ‘Britains most haunted’ a TV show.
It was a couple of years ago that it closed. Covid didn’t help. I was sad to see it shut but it sounded like they had someone interested in getting it going again.
Over the last few days a report came out that it had been broken into and someone had been arrested ror growing cannabis in there.
Now? Who knows. Apparently three people have been arrested for setting fire to it? Whatever happens its so sad. I guess it will be unrecoverable, destroyed. Part of my life has gone with it.
I added my easle yesterday. Today I’m showing you my easle two years ago, I did a painting of Etruria Flint Mill. It’s also called Jessie Shirley’s Bone and Flint mill I think? It’s the only working Steam driven Flint mill in the country and the flints and bone were crushed and ground using the power of the steam driven beam engine there.
The buildings are part of Etruria Industrial Museum, a complex of cafe, the museum displays, and the Flint mill on the Trent and Mersey and Cauldon Canals at Etruria, Stoke on Trent. I’m not sure of its opening times. But once a month it used to be fired up and you could watch the fly wheel rotating round and the pans where the flints were ground rumbling as the engine turns them. Its amazing to see the industrial archeology of the potteries in action.
I watched a programme about Andy Warhol last night. Even though its a while since he died it stated his Warholian influence is still widespread. It made me think about when I first found out about him. It was when I was at school. The paintings and screen prints of Campbells soup cans and portraits of Marilyn Monroe were the images I first saw. I was learning about Pop Art at the time. When you have just been learning about renaissance artists such as Michelagelo or Botticelli it’s a bit of a shock to see something different. Like the Roy Lichtenstein paintings such as ‘Whaam!’ using bright colours and screen print effects. I think Warhol and these other artists were what got me interested in being playful with art.
By mirroring, changing texture, changing the colour and adding lens flare you can get a whole different, if artificial, landscape. I’m not sure I have made it look natural, I wanted to make it look like I had used a paintbrush and oil paints, but the lens flare is perhaps too sharp. Maybe I should put it through another filter or have I gone far enough.
Mallaband-Brown 