New paintings and regular art updates.
A painting I did in situ in a house in Robin Hoods Bay in Yorkshire about 7 years ago. We were away on holiday and we’re impressed by the house which had it’s living room at the top of the building to give views of the cottage rooves and the sparkling sea in the distance. Sometimes I want to visit there again. .
My attempt at wax resist printing that I did with the brilliant Belinda Latimer a few years ago. I enjoyed trying to do Batik in her workshop, creating layers of colour. I also did a print of a couple of fish that I called Pisces had framed in a deep wooden frame. Another example of my experimental art practice.
What could you do more of?
I have been ill and down for a while and I need to start feeling better and reclaim doing some real art. Yes I can work on my small phone screen and create small pieces of digital art, and yes, over the years I have done a lot. But I begin to need to paint again. It must be a good sign? I’ve got to stop being frightened of creating, fear of failure is holding me back. Will I ever get through being blocked? At least now I can admit I want to.
Exercise in perspective. Digitally manipulated photo of a door and window. It’s created an apparent corner where non exists. I tried rotating the image four times until I was satisfied with this picture. I used the incollage app to do it, I was previously using the old Instagram layout app.
Another painting of the Devon coastline. This is an old photo and I don’t know if I painted it in dark tones or if it was taken in a dark area. The headland in the distance gives you an idea of Devons rolling hills. It’s similar in Cornwall, hills that are rounded, climbing up to the moors. Dartmoor and Exmoor being two of them. Also in the foreground you can see golden sands surrounded by the dark jagged rocks that you see at many of the coves in the two counties. I hope I can visit again soon.
Share a lesson you wish you had learned earlier in life.
A few years ago I met a fused glass artist who showed me how to work with glass to create jewellery, bowls and other hand made craft pieces. A friend of mine helped mount the glass with wire weaving.
I wish I had learnt more about it so I could experiment more with glass. This piece was made with dichroic glass which gives it a metallic sheen. I made it into a pendant.
The trouble is that I can’t afford my own kiln so I’m limited in making things at workshops. The original glass artist moved away and it took a while to find another one, I’ve been to a couple of workshops with her and really enjoyed it.
I’m interested in doing other crafts too, like ceramics, but again there is a lot of cost involved. But I am a bit of a jack of all trades (master of none?)
I could have chosen a much more important subject to show how I have learnt from experience, but I’m not in the mood to consider a serious subject today.
What’s your favorite word?
I love experimenting, the word and the action. I’m interested in science and often watch the Royal Institution Christmas lectures where different sciences, from biology, to engineering, forensic science to astronomy. These are described during each series of lectures. Part of the explanation is done through experiments completed with the help of audience members.
I also love experimenting in art, to the extent that I call myself an experimental fine artist. I enjoy working on an image until I get to an outcome that speaks to me. I don’t think I overwork things, and I do know when to stop, but sometimes I go back and tweak things, change things. I might end up with several images that all mean something to me, then I have to decide which I prefer. My use of digital apps has extended my experimental experiences.
I put months of work into the murals at the Leopard Hotel in Burslem, Stoke-on-Trent. I did around twelve, but then it closed down a few years ago and eventually burnt down. The shell of the building is still there.
I used to paint in the evenings after work and most of the time on my own, and the Arnold Bennett suite that I painted in was right at the back of the hotel. The room was sometimes quite spooky! You heard odd creaks and noises, but I never felt scared although the Leopard Hotel appeared in Britain’s Most Haunted. It was semi derelict upstairs and there had been plans to restore it. Painting there was a great experience.
Describe your ideal week.
I would spend time at my studio at Spode, painting, or drawing. My plan is to try and go back to it. I spent a few years there, then covid happened and I lost my nerve a bit. I started to go back, but health issues cropped up. If I don’t return soon I never will, but I’ve built a wall round things in my mind. If I can’t do things properly I seem to freeze up.
My ideal week will be less stressful, full of real art, not just quick digital drawings. I would then build on it, even if I was only in my studio a couple of days a week. I would try and produce more small paintings for craft fairs, but it’s about time I started doing some ‘proper’ paintings real fine art, not craft based. I just need to get my confidence back. I have good intentions but I keep prevaricating. Maybe I can have that ideal week. It needs to be soon….
Acrylic on canvas. Devon beach and rocks on an overcast day. I think its near Plymouth, but the painting is probably 20 years old.
The rocks on this part of the coast are dark and craggy. The water makes them darker, with a slight glint to them. They form layers that slope down into the water and there are plenty of rock pools with barnacles and limpets. There might be small crabs lurking under seaweed in them. Between the rocks the sand is sandy coloured (goldish grey). With flat flakes of rock and stones and pebbles in discreet lines rolled into place by the tides. There are also strands of seaweed left at high tide where sand flies and sand hoppers dwell.
All this rembered because I painted the view.
Mallaband-Brown