I can’t remember the story behind this or whether there was a prompt. I drew it last year. I had to draw something with four panels for my college course. It starts with someone by a campfire. The fire goes out so they go to get more wood, But instead of it all being sticks, a snake, which had been asleep wakes up. I like the simple style I drew it in and the minimal images in it. But now I look back at it I worry that the snake would have been burned or might have woken up before being put on the embers. Even with a simple story you have to be aware of consequences!
Try and draw a pattern that fits together, so regular shapes interlock. It’s easy with squares or diamonds, triangles or even hexagons, but when you get onto irregular shapes it’s more difficult. Interlocking shapes made up of the same shape over and over are called tessellations I think. Although I’m not sure because tessera are the little squares or oblongs they use in mosaics I think? I really need to look these things up before I write them down!
Anyway I’m working towards drawing dragons, and they are usually covered in scales, like snakes. That led me to realise that ideally I would like an interlocking pattern. I could look at a snake, or a fish, or a lizard, but I just made my own up. I added some crosshatching for shade and patterns for interest. I hope people aren’t getting bored with my experiments!
In about 15 minutes we had to draw a set of panels based on some prompts. The one I chose was someone at a campfire then something sinister happens…. I hope this is understandable. The final two panels are meant to increase tension. Finally she ends up facing a snake!
Facebook memory. One or two years ago?
Sssss sns snake…
Hisss history story..
Yelling yell yellow
Frrr fright? No friend…
As Sara reached out to throw the dice she saw a flicker on the Snakes and ladders board. Something had moved quickly on the surface. She saw it in the corner of her eye.
It’s your go, said her partner Jamie. Are you going to throw the dice?
Sara picked it up and threw a six. Across the board, six spaces. Her partner took the dice and threw a three. Base of a ladder and up to the fifth row. He chuckled.
Beat that he said. She threw again and again, always missing the ladders.
It’s not fair, she said.
He was almost on square one hundred now, top of the board. Sara was getting fed up.
Then she saw a flicker again. She looked at Jamie. Did you see that? No, what? He said.
Next throw, two, oh no! As she placed her counter onto the head of the snake, ready to move it down the body back to the bottom row she saw the Snakes tongue protrude from the board. It flickered against her fingers. She froze, shocked into a paralysis. She felt its fangs pierce her index finger, saw its mouth open into a black void. With impossible speed the snakes mouth raced up her arm, gaping wide it covered her head, with one single swallow her body disappeared into it.
I told you I’d win, said Jamie quietly, as he chuckled.
Did this Snake and Ladder painting a couple of years ago. It was a bit of an experiment but someone liked it and had it straight away. I don’t remember all the paintings I’ve done, and I’m not the kind of person who makes a list, so there are pictures out there in the world that you might own….
Slither, slink, shuffle, slip, slide, glide, gliding, snaking along the ground, writhing, side to side. Your scales patterned like strange jewels. You sniff with your tongue, viper split, sensing the air.
A tube of muscle, constrictor or viper with poison bite. Fangs deep in my flesh pierce my heart. Cobra or mamba, rattler or adder. Bringer of fear to some.
Facebook just showed me this from a year ago. I had visited Hartshill and harpfields organisations summer fete and they had a stall with grass snakes, a boa constrictor, lizards and tarantulas. They were all well looked after and I got to hold this corn snake. You can feel the muscles tense and relax under its skin.
The first time I ever held a snake was in juniot school. Everyone else was scared and thought they would be slimy. They are not. Their skin is smooth and warm. Just because they are cold blooded does not make them cold animals.
I always ask to hold snakes if they are on display on stalls..
Memories, I don’t know when I painted this but it’s just come up on my FB page as the favourite photo of 2012. It’s a painting of my friend when she ran a market stall surrounded by her objects for sale. It’s based on a photo of her that I had taken. The cardigan and hair really added to the vibrant colours in the painting. I can’t remember what it’s called.
I loved the scarf with the snake on it, and the puppet which may be Thai or Indian. Sometimes it’s good to paint what you see.
What a random painting!
It started out as a series of splodges. I was not sure what it would turn into. I am interested in Celtic knotwork and also Saxon metalwork. The Staffordshire hoard of Saxon gold was found nearby a couple of years ago and there are many animals and monsters found in that kind of art and craft work.
Suddenly the idea of a snake popped into my mind so I added scales and a head to the pattern, but why would it be there, what was the reason behind it. I remember being intrigued by Snakes and Ladders when I was little. I always landed on a snake and slither down to the foot of the board .
I decided to add the ladder, but the background was too dark. I was modelling the 3 dimensions of the snake with dark and light paint but the snake was merging into the background. What to do!? I tried a green, but felt that was not the right colour. …why not a bold red? I had got a bottle of glittery deep red and I tried that. Bingo I’m pleased with the result.
That’s how you paint a Snake and Ladder. ….