Negotiations for paintings

Mother

I’ve recently been commissioned to do a large family portrait for a friend of a friend, but I’m concerned about what they want to pay for it? They also sent me a great many photos in different conditions with lots of different groups of people on them. The problem is I can’t make a coherent image or composition using them.

I replied ‘That’s twelve portraits for £50?, it would have to be a small painting or a watercolour. Please can you choose the best photos that I can work from. I will do it but it will take a while. Possibly a couple of hours per portrait which works out at a cost of £4 per portrait or £2 per hour. I would normally charge £50 (normally £60) for one portrait, but I understand you might not be able to afford any more and I don’t want to ask too much. I want to do a good job for you and as you have already got a couple of my paintings I will consider only asking for a small amount for the painting. But please can you choose the twelve images you prefer as then I won’t get it wrong. “

I want to paint for people, but I don’t think they realise the work that goes into things. I would Never overcharge, but on the other hand I’d like to be paid at least the minimum wage for it!

How would you respond? Should I have questioned the request or refused it?

Note * I’m now just doing a very small painting, but I do wish people understood how hard it is to paint something like this, it’s not a snap!

Postcard from a friend

The Lamentation of Christ by Francesco Montemezzano

The photo is by Clive Lawrence.

My friend visited a church somewhere in Yorkshire and saw this. Apparently he’d been the week before but it was closed. Last week he found out who he needed to speak to to get access to the church. I’d like to visit it one day. The ainting was apparently very black until it was cleaned. Unfortunately my friend didn’t tell me the name of the church or where in Yorkshire it is

X

Unicorn

When did I first find out about Unicorns? In a book, probably. Something about myths and legends. Always a white horse with a horn from its forehead. The closest thing in reality in nature are Narwhals, a type of cetacean with a long modified tooth sticking out forward from its head.

Unicorns are often depicted in medieval paintings, tapestries and manuscripts. Apparently the only way you could catch them was to have them lay their head in the lap of a virgin? They were a lovely idea. Perhaps the idea was influenced by antelope? It’s something I might investigate.

T

A proper cup of Tea.

Quick watercolour sketch of my brown Bessie tea pot and a mug of Tea. It started out as a graphite pencil sketch but you couldn’t really see it against the black paper so…. I filled in some of it, I made up some of it. I was going to leave some of it black but I used washes of dark blue and dark red to give it more oomph.

Art is fun, art let’s you free yourself, creativity can be good for you.

Neighbourhood 2, #bandofsketchers prompt

Today’s prompt was neighbourhood again, to give us the chance to expand (and possibly join up) with Sundays and Thursdays sketches.

This is the view across the road from my front food. Dark cloud lowering, sun hitting coloured leaves, painted in watercolours on black paper. I used white watercolour from a tube to try and cover the black paper. The other colours had to have white mixed in so that I could get the colours to show up on the black paper. I’m quite pleased with the result.

Orme does Picasso

Orme arts autumn challenge. We agreed to attempt to reproduce a Picasso weeping woman painting. We did one or two panels each. I drew the top and bottom middle pages. The top on was mainly marker pens, but I could not get the purple colour so I used a mixture of white, blue and magenta to try and get it. Not right though. I also did the bottom middle panel. In that case I used watercolour paints then a black marker pen over the top.

Even though a number of artists put this together I think there is a good coherence and the squares are well matched. I’m pleased with the result.

No recognition.

Its aa little thing, but my painting of the Burslem Riot is on the back of a friends book. She’s in the newspaper today and you can clearly see my image on the back of her book. The problem is the article is about the local dialect which she writes about, not about my painting. So I guess I can’t complain. But my images do crop up and I don’t get recognition. I should have put something up where they are on display (in the now closed Leopard Hotel in Burslem), but I didn’t think about it, and then I didn’t organise it, and now it’s all locked up. Thinking if putting a letter through the front door infroducing myself as the artist who painted them. I hope they don’t get ripped out!

Cat box

I painted the leather seat if this stool/box about thirty years ago. It used to hold all my old oil paints but they dried out years ago. I unearthed it recently. One of the problems with being an artist I have found, is collecting art materials. I have stuff that goes back years. I tend to think one day things will come in handy. Is anyone else here an artist? Are you the same? Materials cost so much its almost a sin to throw things away.

This is a cat on a mat on a parquet floor. As you can see even then I loved patterns. It’s varnished, but you can see where I must have left a thinners can on the surface that left paint rings…

Sun and moon

I’ve copied a photo of a sun and moon painting, then duplicated them and because they were a bit fuzzy I added a stylized filter to them. I can imagine these as tiles in a courtyard or something like that. As usual I was playing with pattern. These were painted in 2014 and I gave these as gifts to my friends daughter when she went away to college. I’m thinking of doing a whole series of astrological style images to see what I come up with for fun. X