Forty years ago at college. I liked painting objects that were not necessarily beautiful. I did a series of oil paintings on board of tin cans. Sometimes on the desk, even propped on an easel.
I think I might have these stored upstairs somewhere. I still have old folders of drawings too. Being an artist is not just about selling things, or fame, it’s about trying to understand your mind. The trouble is, being a mind, it can change. One day I will think about a subject. The next I will have a new idea (or two or three or four?!). I can’t help it. I love it
My friend visited a church somewhere in Yorkshire and saw this. Apparently he’d been the week before but it was closed. Last week he found out who he needed to speak to to get access to the church. I’d like to visit it one day. The ainting was apparently very black until it was cleaned. Unfortunately my friend didn’t tell me the name of the church or where in Yorkshire it is
One thing a bit more abstract. Thus is our autumn challenge. Each artist chooses a square and rgen we try and copy it as well as we can. I’ve chosen square two. Once everyone has done a square the picture is put back together and we see the results. Since this Picasso has such strong, bright colours I will probably use permanent markers to draw my square.
I was looking at my old summer dream painting and noticed how dusty it was. I realised that the surface od the paint is quite raised. This was when I was painting in oils in a more impasto way. I don’t do that in acrylics, I don’t know why, because it’s quite interesting to look at? Maybe it’s something I could try out. I have a large tube of white oil paint. Maybe I could add coloured chalk into it as an experiment. I can do anything I guess.
I do like how sassy I got this image. She’s got real character. A proper glint in her eye.
One of my largest paintings, done between 1982 and 83.about five foot by four foot. The man is my hubby and the cat our old lady cat we had several years ago. The rest is completely from my imagination. I’ve always been interested in standing stones. It’s based neolithic burial sites. The foxgloves and poppies are about medicine in the past. I think we must have visited Devon or Wales, because of the waterfalls. It’s oil on canvas. No idea what the book is about. But he’s always reading!
I’m one of twelve artists from the Orme Art group who did this picture of Monets Poppies at Argenteuil. Mines the middle one on the left. I used permanent markers and coloured pencil. Others used paints including acrylic and watercolours. It’s good to collaborate.
What I like about this is the different styles and colours. It sort of brings a modern feel to a classic painting.
We have a large field nearby that has a similar aspect, on a slope and edged with trees and hedges. The area is under threat of development although it is quite an ancient piece of farmland. I hope it can be saved. Its called the Croft and its beautiful.
I’ve got this four foot by five foot oil painting that I did in 1993 on the living room wall. It’s just behind where I sit, and sometimes I knock onto it, so I’m occasionally worried that the string it’s on will break and it will come crashing down!
Anyway, you can tell I love cats. The big one was on the front of a magazine if I remember. The small one in the corner, playing with the wool, was ours. We had her for about nineteen years. I just found the photos on my Facebook memories page. The figure is me and I’ve painted a baggy jumper I had. I love patterns and painted the wallpaper pattern. This was my studio before we moved to out current home.