New paintings and regular art updates.
You could go to a beach and find someone just painting stones as a job (Lulworth Cove in Dorset). A respectable way of earning some money as an artist. Sitting in the sunshine, working on imaginative designs. We bought one with a blue octopus painted on it. The stones were probably collected off the shingle beach (yes I’m writing about different shingles). I would love to go back there but I doubt this artist would still be plying his trade. Yes the world has changed.
It was called Dasies. The figure in the doorway was my friend at the time. But like the painting she was strange. A complex person that tried to do things and disturb my life. I think she might have been OK, but one day she did something that completely lost my trust in her. I won’t go into detail, but she showed an uncaring side that really hurt me and my hubby. I could have forgiven her, I could have accepted her apologies, but why should I?
What do the Dasies and plants signify? Because it was before the split, I think probably I was trying to beautify the image. The garden was not as floriferous as this. It was a gift for either her birthday or Christmas. She was good at hiding her thoughts and the slightly surreal air was trying to capture that. I think most of my paintings are quite narrative. I’m glad I kept a photo of it, I have lost track of the paintings I have done over the years. Perhaps this ended up in the bin?
a few years ago at lifedrawing at Burslem Schoolo of Art, just found this photo- watercolour painting.
The sun is setting earlier now. It was dark at 9pm today, and the sunrise is later too. In September we will reach the point when day and night are of equal length. Then in October we will revert back to Greenwich mean time and lose an hour of daylight in the evening. Although we gain an hour on the morning I think it’s sad to get darknrss earlier just when you want to cling to brightness.
Why talk about this? I need to get a daylight bulb. I find if I paint in normal electric light the colours I use look different from in the daytime. They are often distorted, I find I can’t see yellow properly compared with white. I also think LED lights are a lot dimmer than the old 100 watt bulbs and you can’t get a bright enough equivalent. I want to be able to see colours properly so I can paint better.
I have tentatively put my name down for a couple of craft fairs later in the year. It’s taken a while because I’m still concerned about covid and being in crowds. I’m trying to lower my anxiety levels. I went to an outside event at the weekend but still put a mask on when I went inside. As the craft fairs will be inside buildings I will be very aware of the situation. I’m still not going into my Studio at Spode and I think it’s the same thing. My shaking arm appears to be caused by anxiety (I do feel very tense), I might be getting some help, I’ve got to find out what’s available but hopefully I will be able to get back to normal eventually.
I’ve been asked to paint some of my small paintings, bees, birds, cats, maybe dogs, flowers. But I might add a few small mechanical paintings too.
How can I know my audience? Mainly by what has sold before, but also what is liked on social media. I cannot paint exactly what someone wants without getting a description of a commission from them, but I can try to get an inkling of what is interesting. For instance I have been painting more abstract images, but I feel they are more fine art subjects. If someone buys a tiny painting is that more of a craft piece. I need to know because if I carry on I need to earn a crust or two, even if it’s only a crumb sized one! We will see.
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The Leopardess at the Leopard Hotel in Burslem. She was supposed to be a mixed race woman that married the owner of the hotel and came to England to run it. I was told several tales by the landlords of the Leopard while I was painting murals there and I really wish I had written them down. But you know what it’s like. You are standing on top of a set of stepladders and chatting while you paint. You have ideas for each mural and have to fit in with what the owners want you to paint. Sometimes I was in the Arnold Bennett suite on my own for hours (I’d go up after work), listening to old creaking timbers and odd noises. It could be spooky in there. My memory isn’t what it was.
Still proud of this mural that I painted in the Leopard Hotel in Burslem in about 2006 or 2007. The hotel burnt down earlier this year ans all my murals were destroyed. Someone asked if the murals had been removed from the building? No they were painted directly onto the wall with emulsion paint. These were some of my favourite works and I was devastated when they went up in smoke. The root crowd included local people and staff of the Leopard Hotel plus my hubby. A lady called Margaret Moxom used an image of it for her book. The riot was in 1842 and a man was shit dead during it.
I’m in another group of artists who come u with challenges to post to every week. The pictures don’t have to be recent (thankfully). This was for #safari, I painted it about four years ago and it went to the local ‘Lions’ club which is a local charity. What else can I say? It’s acrylic on canvas, about A4 size. I don’t paint every single hair or piece of fur, but I try and get an impression of how the animal looks. I generally do cat and dog portraits but am not too bad at most animals x
Small painting from 2018 that was on display at Etruria Industrial Museum. I used an image off the Internet to work on. I think it was from a photo of a pumping station in Derbyshire? I loved trying to get the metallic reflections. I looked at the price and I wad only selling it for £25! The amount of work I put in means I constantly undersell myself, but people just don’t seem to have money for art these days. As to what it is I think it’s a regulator? Ith weights hold the arms down if it starts to spin too fast?
Mallaband-Brown