Old oil painting

1980s large canvas. Painted in oils, it was only a few years later that I started using acrylics instead. It’s about 5 ft by 4 ft or something like that. It depicts our old front room, in the house we used to live in. The cellar underneath the front room was starting to collapse, its vaulted ceiling held up with an acroprop. Why was I painting a giant cat? Because I love them, and patterns (wallpaper, clothes etc). The small cat in the corner is playing with a roll of wool. The box says Walsall Art supplies, where I came from. I’d call this a narrative painting.

Cat finds warm place

It’s warm on top of the armchair, now my radiator is fixed. And the new chair has a flat area at the top so the cat can happily fit. In the background is part of a large painting I did in our old house. It’s oil on a huge canvas. Like a lot of my art I forget it’s there sometimes. The little cat in the corner was one of the first we had when I moved there.

Through the round window

Round window at Spode painted a couple of years, ago, the glass was held in a circular metal frame. I enjoyed trying to get a feeling of depth using deep shade, and perspective with the rows of bricks. I think they might be a bit exaggerated. I liked the way the concentric circles sink inwards and the shadows bend around the edges.

6 years ago, teapot

I painted this teapot six years ago when I first moved into my studio at Spode. This is a medium sized acrylic on canvas. It’s from my imagination, and the flower design is based on the pattern ‘calico’ by the Burleigh pottery. I think its based in Burslem, Stoke-on-Trent. I made the wooden panels up from my memory. I still have this painting at my studio at Spode.

Opportunity

One of our local museums, the Brampton, in Newcastle under Lyme, is letting the Orme Art Group exhibit work in their entrance window from the end of January for two months. It’s a chance to sell work or at least get our work in front of a new audience. We each can show one work plus some smaller pieces. Plus it gets a painting out of the house for a while. I hope the display does well.

Blurred

Time blurs everything. Thirty years ago I was doing a course at college and for a while I rented a small studio with two other artists. But it didnt work out. One of them was collecting egg boxes to try and insulate the walls as the place was freezing in the winter but also to try and deaden the noise of rock music one of the artists used to like playing. The windows had arched wooden frames that were quite architectural but they were single glazed. I only painted a few things but when I was there and the music was on it would drive me mad. Unfortunately I could only use the place in the evenings and that coincided with the rock sessions. So I gave it up in the end. Now I’m looking at leaving my current studio. It’s too expensive to carry on renting. If it is the choice between paying rent for it or paying the fuel bills I have to make the sensible choice.