Colouring in

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It’s doing it again, saving to draft failed. Buy I’m hoping that if I just post this without editing it, perhaps it will post?

Anyway my hubby has been having fun colouring this cat in. I guess it really doesn’t matter that it’s green, as long as he is enjoying doing it. Adult colouring books seem to be the in thing these days. They are good to take your mind off things, they give you the relaxation you need, using enough concentration to give you ‘flow’.

More people could use this technique to help themselves to calm their minds. Life is too stressful, and maybe something gentle like this, taking your mind off things, could help?

Anyway it has posted x. I still don’t understand the draft posting warning I’m getting. Anyone know why?

Colours

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When you take a photo do you ever think of adjusting the colours or the hue? It’s easily done on a smart phone. You can use so thing called ‘curves’ where you can change all the colours, tones, contrast and dark and light using one tool. You have a curve indicating the colours and by adjusting the curve in different places…. I’ve taken a few screenshots to explain. First take a picture, then go to photo editor.

I don’t know how anyone else’s phone works, but in photo editor if you find the editing button in editor, choose the one for changing colours. The icon has a curve on it. Click on that and you can adjust the levels, you can see them move on the screen. When you like it choose save. You then have an image that looks completely mad, or subtle, or however you like it.

Finished Mars

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Finished, the colours are a bit off as I’m painting under electric light. I’ve tried to get accurate details on it although I’m still wanting it to be painterly. I don’t want my paintings to look airbrushed or filtered.

It’s the old analogue or digital argument. Everything is HD these days. But I’m not trying to get photo realism, just realism. So, now I’m going to leave this. If I have a night’s sleep I might be able to come back to it. There are thousands of craters and trenches and rills and canyons on Mars. It’s a rocky planet with a very thin atmosphere. It can be completely covered by dust storms and the details of the surface can be covered over. The carbon dioxide poles shrink and grow dependent on the seasons. In the past the surface was imagined to be covered with canals (a misinterpretation of the Italian word Canali – meaning channels). Astronomers thought the dark patches were vegetation. Now we know Mars is a rocky, desert planet. About two thirds the size of Earth with lower gravity. It has lost most of its atmosphere and water over billions of years, probably because its molten core has solidified and it now has no magnetic shield to stop solar radiation from causing the atmosphere to stream away into space.

Painting is like knitting.

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The complexity of trying to paint the surface of Mars is like trying to knit a complicated pattern of cable stitch, pearl and plain knitting. I don’t know exactly how to do that, and with this painting I’m trying to get craters and ridges at least vaguely in the right place, which is like knitting the whole thing.

If I had large images of the planets I would use tracing paper to copy the main features, then transfer the tracing onto a canvas by drawing on the other side to have at least an outline to follow. But no, I do it the hard way. Holding my phone up with the image then trying to paint the right colours and features and attempting to get them in the right place. You also have to keep tapping the phone to stop the picture going off.

Well so far I’ve splodged in whites, violets, blues, rust colours and dark areas. It’s starting to work but it’s got more complicated as I’ve gone on. I have overpainted several areas. I can see that it will take a while yet.

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Orme Art group and Spode studios Open Days.

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This is what I’m working towards at the moment. I’m really looking forward to it. We will have some space on a wall in the Brampton museum and art gallery. I’ve got a tryptich of Jupiter ready and I’m doing a painting of Mars. Then on the 7th and 8th of September I’ve got a painting at Spode during our Open Studios weekend.

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I will also be exhibiting art at The Orme Group Christmas Exhibition, dates and details to follow. Today I’ve also had confirmation that I can put more paintings in an exhibition at the Brampton in November to December for Christmas. I’m just waiting for a poster for that. All I need now is to see if people like them and get some commissions.

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Persius and Medusa

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On a lighter note this statue of Persius and Medusa is at Trentham Gardens, Trentham, Staffordshire. The statue is inside the gardens next to the lake which means you have to pay to go in. I’m sure there is information about it but this is a photo from last year. I haven’t been in the gardens for months and probably with the heavy rain we’ve been having the plants there might be a bit battered but they are usually very beautiful.

I’m going to try and finish my painting of mars that I shared a couple of days ago to get in our Orme art exhibition at the Brampton in Newcastle-under-Lyme and try and go back to Trentham again on Friday.

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Shattering

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Pixels and glass, an old disco ball changed by using Layout app and adjusting the sharpness, colours and contrast.

Splashing subtle colours around the room, coloured washes staining the walls if the sun glints on it. I know disco balls are not the thing to have in a living room, but it cheers me up. As the sun sets behind the house the light gradually creeps in. First it catches the glass crystals I have in the window and they send rainbow shards through the room. Jittering and twisting across the magnolia plaster. Then the sun drops lower and the disco balls individual glass facets glitter and flicker.

It was from this that I made this image.

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Gloves

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Workman’s gloves, these have been tucked behind this pipe for over a year. Like a pink octopus hiding in a crevice in the rock. I imagine the workman or woman who was using them. Did their contract end and they just pushed them behind the pipe thinking they woukd be back in the morning. I can see them being put there then gradually getting soaked over the years. Spiders and slugs colonising them. Each month the sun bleaches them more. Did they start out as red? Were they comfortable or too big or small? I don’t know. They are an enigma.