New paintings and regular art updates.
I have four new paintings up for sale at Etruria Industrial Museum cafe. This is Etruria, Stoke on Trent, Staffordshire. This Saturday and Sunday there is a steaming weekend at the Flint mill when the Steam engine that was used to provide power to grind bone and flint to be added to clay to make fine bone china. Come along and see the working steam engine and maybe stop for a cup of tea in the café if you happen to be near Stoke on Trent.
After completing three paintings in two days I had some left over paint. I started painting stripes and realised that if I added small leaves the picture would look like an abstract view through reeds. I think it looks quite different to the others but I like it.
Finished for now. My painting of Westport. I may do a bit more work on the sky. It needs to settle on me. I mean I need to look at it and decide if it needs tweaking. My closest explanation of this style is that it’s like painting through a pane of swirled glass….
Another in the textured landscapes series I’m creating. After getting the first painting accepted into the three counties open exhibition in Burslem School of art, I now have the opportunity to put some paintings up for sale at the Etruria Industrial Museum cafe. I decided to try and use a similar style to create colourful and striking landscapes. I’m using a different size of pattern, smaller than the Waterfall painting and more intricate. I want to evoke wild flowers in a summer landscape with Westport Lake in the distance.
I can’t do more. My brush is wearing out trying to add texture and colour (I exaggerate!) But I need to stop, I don’t want to overdo it. I have plans for a few more in this style. I’m enjoying the challenge of working out how it fits together. Too much texture? Not enough? Are there places where your eye can rest or is it too chaotic? I noticed I was using yellow and purple complementary colours. Can you even tell its a waterfall…. I hope so. Dorothy Clive Garden waterfall in Willowbridge, Staffordshire, England.
The day is coming when I have to take my painting ‘coast’ into the Burslem School of Art so that it can be hung for the three counties open. I hope it will be OK and be displayed in a good place.
I’m thinking of doing a series of these paintings in this style. I might do some images based on the pottery factories in this city. Stoke-on-Trent is known as the ‘Potteries’ and it might be good to celibate its history. I will see.
I cooled down enough today to do some work on the waterfall painting based on the Dorothy Clive Garden. I’m trying to get movement and texture into it. I’ve been busy today, painting the sides of the Coast painting which I need to take to the three counties open exhibition in Burslem tomorrow. I have still got to add mirror plates onto the back of it so it can be hung. I need to add more colours to this painting to reflect the wonderful view we saw back in May. I’m enjoying learning more about how to use this style. Someone’s said it looked a bit like a Van Gogh but I hope it has a bit of uniqueness to it.
When you’ve got a painting partly done it’s interesting to use a photograph app to play with it and see if there are things you can do to change it. Having done this I don’t think I will take it in this direction, but I may change things a bit. I need to have calm areas as well as jazzy patterns, otherwise I think it will be too much just an all over pattern.
I’m very pleased to say I have had my painting ‘coast’ accepted in the three counties open exhibition in Burslem School of art later this year.
Burslem School of Art is famous for teaching artists their skills in the early twentieth century. I think Clarice Cliff was one of their students. I know the artist Arthur Berry studied there before becoming famous as the potteries ‘Lowry’.
It’s great that a physical exhibition will actually be held this year. I hope many people will be able to come and see it.
Warning contains nudity.
A ten minute and fifteen minute sketch I recently completed at a life drawing group a few weeks ago. Looking at them now I can see that the details are not correct, but not too bad. The leg lengths on the second sketch are definitely too short. You can see how I tried to extend them a bit. When you draw a figure it’s a good idea to work out where to place the head. If you are too low on the page you run the risk of losing the lower half of the figure as in the first, ten minute sketch. But these were swift sketches, drawn on pale brown Ingres paper which is suitable for the mid tones then drawn in black ink fine line pen and shaded with pencil crayons.
One thing I hate with life studies is when artists leave the head off. Especially when it’s a female study. To me, they may not be able to draw facial features, but by leaving the head off it makes the figure look more like a slab of meat, disturbing and disrespectful of the female model.
Mallaband-Brown