A process of cropping, mirroring and flipping images to create interesting patterns. I think the final result looks like a little owl reflected in water. I’ve changed the tones and hues slightly in the image to enhance the shadows in the cloudscape. The idea has always been to have abstract shapes apparently floating in the sky. It’s a recurring theme of mine.
they still need a bit more work. I was painting till 4am. There are things wrong with them, I think the heads are too small slightly, but when you are painting on a matchbox sized canvas it’s hard to get things quite right. A couple of tiny brush strokes and it’s wrong and you have to start again. I left these early this morning as I wanted to see them in daylight. One thing I did notice is the moon on the blue one. I’ve got it curved the wrong way. The light is from the left so the curve needs to be in that direction. I’m also thinking of adding a few specks of white to another one to indicate stars. The one with the yellow sun might have some vegetation added.
Even though they are tiny I treat them like full size paintings. I doubt if it’s cost effective but it’s fun!
I was just looking through an old watercolour sketchbook with landscape scenes I did a while ago. I think one was done in 2018, but have no recollection of doing the others. I know the one with the harbour wall and blue sea is Polperro? The boats picture was done as a quick sketch. The flowers and hills one is called Storm warning. The two lake paintings were done at Trentham Gardens. The yellow sand and dark rocks is at Bovisand in Devon if I remember rightly. The figure looking out of a Summer house is my partner looking at the view at the Dorothy Clive garden.
Some paintings I did are at my relatives house so I don’t see them very often. The painting I did of Jupiter is there. I do think it looks a bit “knitted”. I would love to do some paintings based on the latest images. I think that it would be very difficult to accurately copy the atmosphere of Jupiter. Saturn’s rings would be equally difficult to render.
The other paintings are: a picure of our garden before it got madly overgrown. Two paintings of Bovisand, out over Plymouth sound and looking inland at the geology of the rocks. My husband standing under an old arch on the isle of Portland. A watercolour of a place called Jennycliff, which is on the south east side of Plymouth.
And finally a snow scene that I painted in the 1980’s. It was meant to represent the steppes and has Russian style onion domes in the background. I’m not sure where I got my idea from. I was reading Frank Herberts “Dune” trilogy at the time and I had never seen an image of the steppes…. But to me that’s part of what being an artist is about, pictures in your mind that you are trying to represent.
It’s that time of year when I have a small exhibition of work at Etruria. An area of Stoke on Trent in the Staffordshire. This year it came round fast. I didn’t really know it was going to happen till a couple of days ago. I think I was feeling a bit down and so I hadn’t organised things very well.
The building it is in is an old warehouse next to the Trent and Mersey, and Cauldon canals. It’s a very old building, with an old canoe up in the rafters, and half a model canal boat up high at one end I the room. It also has some of the largest long legged spiders I have ever seen….but thankfully once I had set up they went into hiding.
Anyway its happened, its up. I’m selling cards and necklaces as well as paintings. I am not really good at doing that. I can be polite, helpful, and enjoy explaining the work I have done, but I don’t like selling, putting a price on things.
I’ve spoken to a few artists recently and they feel the same way. They want to be creative, because they are creative, not because they want to run a business. …
Anyway I think people enjoyed what they saw at the exhibition, I had some good feedback.
What want to do now is start working on new art!