We use a warehouse (old, small, with hardly any facilities) next to the Trent and Mersey canal for our art group. Most weeks we do art, pottery, painting, drawing etc. Thus week we had to clear out the kitcgen/store so that it can be demolished and rebuilt as a kitchen and a disabled toilet next to it. So we had to clear a lot of stuff out, including a lot of clay. This is only half of the stuff. It was quite heavy to move. I was going to take it away in my car but compromised on storing it in the building. It’s pleasing to be able to do something physical for a change.
Saw this in the pub a few days ago. I’m not sure if it’s antique or a reproduction but it has a feeling of something from the start of the last century. I liked the main shade surrounded by three smaller shades all held together by solid but delicately shaped metal. I wonder if it’s converted from a gas mantle?
I imaging its a considerable weight, so I guess it’s screwed into a ceiling joist. I didn’t think to look at the lights in the rest of the pub so I don’t know if it’s the only one there. Perhaps it’s from a reclamation yard? There are a few round here. Anyway it’s good to see old things about.
At Etruria Artists today we painted mugs, they were blank white mugs and we used on glaze paints that stay the same colour when they are heated. The most exciting thing is that they can be heated in an ordinary domestic oven. They have to be dried for twenty four hours, then heated at 150°C or gas mark 2 for 35 minutes to bake the colours in.
The outside photo is lock 40 on the Trent and Mersey canal. It was a beautiful morning, bright and sunny. I really do prefer coming to Etruria Artists ‘hands on Art’ at the Warehouse next to the lock in the morning rather than the evening. It is on from 10am to 12 noon if anyone wants to come along.
I went to Etruria Artists today and was asked to draw lions as we were having a little drawing challenge and the group has a lion as a mascot.
I could have looked at a photo but I wanted to see if I could draw a lion from memory. What I ended up with was a lion / bear hybrid I think! I called it bearly a lion.
Colours used were gellato crayons (I think they are called) with metallic shades. They are a bit like lipsticks and can be drawn with, smudged and have water added to them to make them flow. I used a black ink pen to draw the thin lines. It’s a curious big cat.
There is plenty to see on a short walk in the area around the Etruria Industrial museum at Etruria, Stoke-on-Trent.
There was a very cold wind blowing along the canal towpath so we only had a short walk. We took a look at the cygnets on the canal, they were on their own so presumably their parents have left them now. I wish we had taken some duck food with us. There were plenty of other birds about including ducks and geese, a rook or crow and magpies.
Some of the industrial buildings in the area are more visible now the leaves are off the trees. One of these is the tall chimney that is on the industrial estate behind Jessie Shirley’s flint and bone mill, which is attached to the Etruria Industrial museum.
One of the boats on the canal had smoke rising from its chimney, which made me think of hot tea and toast. We soon got back to our car, and put the car heater on to warm up. Brrr
My first drawing of 2020 on 2.1.2020. It’s red because we were at Etruria Artists in the warehouse by the canal. It was so cold we had the electric heaters on in the roof that glow cherry red. For those who know the person, I’ve got his nose too long. This is because he was moving.
The Etruria Artists are now meeting on a Thursday morning from 10am to 12noon unless we change it. Hopefully this will encourage more people to come along.
I had already hollowed this head out a bit but I was able to carve out more today. I came across several bubbles so at least it’s less likely to explode if it does get fired. The grey pile is the scraped out clay. X
Four of us visited the Warehouse at Etruria today, its by the summit lock 40 on the Trent and Mersey canal, near Etruria Industrial museum, Stoke-on-Trent.
The subject was Easter Island heads, and I decided to try and work out how to slab build it, which is why I did a drawing of it first. Then because we decided to do smaller statues we decided to carve the clay instead. The results are shown in the middle pictures. Finally I talked to my friend Robert, who is a Potter and leader of the group. He explained that we should have glued bits on with slip if we wanted the pieces firing.
The final photo is one of my hubby’s drawings in response to the ideas. I liked what he was doing and took a photo. He explained he was working on ideas from Barbara Hepworth.