Sky view

It’s almost a couple of years since I left the Acava art studios at the  Spode factory site in Stoke on Trent. I had some good times there painting and getting to know some lovely people.

I won’t miss the freezing cold corridors in winter. I was cosy in my studio, but open the door and the temperature dropped. If you went and made a coffee in the kitchen it would be tepid by the time you got back to your room!

The building had a large mass, which didn’t matter when the kilns were lit, it would hold heat really well, but as a result of the pottery closing and being emptied the building no longer stays warm.

I miss being there. I’m sad I had to leave. But I could no longer afford it. At least I got some good photos while I was there.

This doesn’t happen…

Describe your ideal week.

My ideal week would be to go out to a studio, paint for a few hours, make good progress on a painting. Go to choir practice. Cook tea for me and my hubby. Sit and chat about our days.

My ideal week would include going for a walk with him, he might go for a cycle ride to see a friend. He goes to bed early, I stay up late to read or watch TV.

In my ideal week I would sleep well, wake refreshed. Go for a drive somewhere with my hubby. Visit a national trust property.

In my ideal week I would try and paint some more, take some photos, go on the Internet.

In my ideal week I would still have my hubby, I would still have my studio, I would still be doing art or at least more than I am now. I’m just struggling to get back to something like an ideal week.

View through

Looking through a window in a door at Spode out of the studio window. The layers of lines and squares superimposed on top of each other made it interesting. The wood frames each section neatly.

What you can’t see is the bright sunlight catching the building in the background. I could see it, but here it’s over exposed and looks almost white,merging into the line of sky above it. Eyes are so important, cameras are wonderful, but seeing in reality is a better experience sometimes.

Finishing work

Describe a risk you took that you do not regret.

I gave up work to mainly look after my hubby whose mental health was deteriorating. I could have carried on, but circumstances were also changing in my job. The way we worked was reverting back to old fashioned ways which I felt was detrimental to our clients. I’d fought hard to help them more and it felt like their needs were being forgotten while money was saved. Services were being slashed. I had to go, and I never regretted it, I just felt sorry for my fellow workers who I left behind. Covid and other problems meant that I didn’t make a go of my small business, but at least I tried.

Clutter

Artist ‘stuff’, paints, paintings, canvases, brushes, boxes, sketch pads, heaters, all my ornaments on the mantelpiece. Carrier bags. I’ve never been this cluttered. Some of its going to have to go. But it’s cheaper than renting the studio. I not letting many people in till I sort it out! But it’s storage not hoarding (yet!)

Empty studio

All that’s left is a small bag of rubbish. My studio was a small space but I fitted a lot in it. Now my living room looks like one of those TV programmes about hoarders! I didn’t realise how much space it would take up and a lot of my paintings have gone to a friend’s studio for a while. I’m going to have to learn to throw things away. It’s not an exciting photo but it means a lot to me. Maybe one day I’ll be able to afford to go back. I’ve got to have some hopes!

Putting it up

I was at Spode studios today selecting  the images I want hung at my Retrospective exhibition. They are a colourful and eclectic mix. It should be up tomorrow. I’m having a closing evening on Friday when most of the work will be for sale. However a few works that are of my hubby and myself are staying with me.

I don’t have one

Do you enjoy your job?

I gave up work to look after my hubby and try and set up as an artist. Sadly circumstances mean that he is no longer here and I don’t have the possibility of keeping my artists studio.

I won’t stop painting though, creativity is my reason for living. Despite health issues I cannot give it up. So I suppose really I do have a job, but it’s very much part time. I will still accept commissions and do my best to produce quality art work. I hope I continue long into the future, drawing on these recent events to produce new art.

A house with a studio attached

Write about your dream home.

I need more space. I could build a small studio on the side of my house if I had the money and planning permission. It would be somewhere that didn’t affect the fruit trees in the garden. I would move all my art equipment and works in. That would make more room for all the other things we collected over the years.

I’d also insulate it and add better windows and doors. Maybe underfloor heating.

My income is too low so this is all a pipe dream. Unless of course a Millionaire or Billionaire reads this and feels like making a generous donation? (or I might win the lottery). I would take over the empty house next door to offer accommodation for friends and family and make a gallery downstairs. Then I’d also add a lift to save my knees and hips that are starting to ache more and more x.

6 years ago, teapot

I painted this teapot six years ago when I first moved into my studio at Spode. This is a medium sized acrylic on canvas. It’s from my imagination, and the flower design is based on the pattern ‘calico’ by the Burleigh pottery. I think its based in Burslem, Stoke-on-Trent. I made the wooden panels up from my memory. I still have this painting at my studio at Spode.