Glass workshop

One of the advantages of having a studio at spode is the fact you meet so many creative people.

One of them is a lady called Angela who makes glass art and runs workshops.

We had a very pleasant few hours today making some new pieces of glass. We used new techniques to make larger bowls (they will be when they are fired) and handkerchief vases which will be placed over a glass shaped form which the glass slumps over.

I hope we can go back for more.

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Tiles

Tiles at Gladstone yesterday.

I think they are by Minton which was a Pottery that went out of business a few years ago when a lot of Pottery manufacture went abroad because it was cheaper.

I know lots of people admire these tiles and they are often found in hallways in old victorian houses in this area. Our local church, St Thomas’s has tiles by Minton. The factory was based in Stoke-upon-trent, which is one of the six towns of Stoke-on-Trent.

Many of the people in the town were laid off from factories in Stoke, including Spode. Only a few places still make Pottery now, including Emma Bridgewater, Portmerion, Moorland Pottery, Moorcroft and I think Wedgwood…. There is also a tile manufacturer called Johnson’s tiles. But nothing really compares to the beauty of Minton.

Raku and sawdust..

While we were at Gladstone today we saw a couple of interesting ceramic techniques. The first was by a lady called Tez. She was firing some raku Pottery. She had some pots in a metal bin with a gas jet heating it at the base. I didn’t find out what temperature she was firing at, but she said it takes about 40 minutes for a firing plus the work on the pots afterwards. Once they had been fired the pots were taken out of the bin and put in another one to rapidly cool causing crazing in the glaze. The lady put lots of beech shavings on top of the pots so that it smothered the fire. We were told that the wood sucks the oxygen out of the air around the pots and is a reduction reaction causing the copper in the glazes to shine through in a wonderful sheen.

The other technique we saw was more subtle. This time another potter put her pots in a box of burned sawdust ash. The pot was then covered in fresh sawdust mixed with white spirit. She sprinkled some of the burnt ashes on the pot to mask some areas then set light to the sawdust. As it burned it gave a mottled effect on the pot. It looked like it was being aged.

Finally there was some traditional stone ware pottery for sale. Fired in an ordinary kiln but also lovely to look at

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Today at Gladstone

I’m in a group called urban sketchers. Today we braved the wind and cold and went out to draw and sketch there. I got quite chilly and damp but it was worth it. There were about 8 or 9 of us there.

There is so much to see at the Gladstone Pottery museum. Plus there is a nice little shop with Pottery for sale and a good friendly cafe upstairs.

Sited in Longton, Stoke on Trent, the Gladstone Pottery museum shows you the history of ceramics. There is a flushed with success section about toilets and a display of ceramic flower making, pot throwing, an old engine house, a doctors house and surgery. A selection of historical tiles and much more.

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Transitions

 

We have an art challenge at Spode studios to come up with an art work which follows the theme “transition” or “transitions”.

I would normally come up with a realistic painting but I’m also toying with something more abstract. These are initial digital drawings, working on the transition from grainy to smooth, straight to curvy, and changes of colour.

I might try and turn one of these into a large painting. In a way it’s also making me think about changing my work practice from quite a straightforward way of working into something more involved.

Watch thus space for possible updates….

I might even enter something into the exhibition….

Old cars and engines

Today I had a break from my exhibition for an hour, so I went and sketched a few of the classic cars. I have to say there were a lot of Austin and Morris cars, plus things like the Scimitar car that I drew.

Each sketch took between 10 and 15 minutes. I tried to be accurate, but when you are standing in a field with cars or engines, people have a tendancy to walk in front of you or stand in the way.

Drawing is slow motion photography I guess you could say, you click a camera, but your hand and eyes have the effort of coordinating to get an image. It’s not easy to draw a new subject. Wheels can be too big or small. A bumper might be too high up, and cut across where the radiator grill should go. Also when you use a thin nibbed pen you have the difficulty of getting dark areas without wanting to spend ages cross hatching.

Movement is another problem, while drawing the diesel engine I tried to get a feeling if the spinning motion, but it started to get messy. There are so many pipes and wheels and tubes. I have no idea what bit does which action, its hard to link things up in your head.

Anyway I took photos of the cars for comparison, I may paint some of them.

Recent minatures

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If you wonder where I have been, I have been painting these tiny miniature paintings on canvases around the size of a matchbox.

I’m quite enjoying doing them. I would like to present them in small gift boxes but I don’t know where I can get some from.

People don’t seem to have room for art, so the idea is they might buy one of these to put somewhere special… you never know…

I haven’t done much this month but at least I have got going again over the last few days. I’m putting an Exhibition up later today which will be up on Saturday and Sunday at Etruria.

Details are that the Etruria Industrial museum is holding a static steam engine day on Saturday and a classic car day on Sunday.

Might see you there…..

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Its Wednesday. ..

I think this is finished now, although I might change the blues…. added cat for scale 😀.

I’m go I to start doing some more paintings as I want some new work for an exhibition I’m in this weekend at Etruria Industrial museum.

My green man/woman pictures are built around the idea of tiles which were made in Stoke-on-Trent at factories like Mintons.

I also want to do some small paintings based on classic cars because the exhibition is at the same time as a classic car rally and a static steam engine event. That’s this weekend at Etruria, Stoke-on-Trent.

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Surreal canal

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Using the Layout app from Instagram, I created this surreal image using a photo of a local canal with a strange thin building projecting upwards from what appears to be a circular or oval pool, the water was so still it had a lovely reflection on it, and this has added to the final picture.

The building is the edge of an old, derelict, warehouse that stands like a cliff face next to the canal, in the past ware from the pottery would have been transported from the pottery, south and east to the Midlands or north and west to the coast at Liverpool or up to Manchester and beyond. In fact Stoke-on-Trent lies at the heart of the canal system, and was built around the coal, clay and water of this area. Manufacturing of pottery, steel making and coal mining was on a massive scale here. Industrial archaeology will reveal the landscape as an amazing historical treasure trove of creativity. Some of the buildings were lost to demolition and decay, many bottle ovens have gone. The rest have protection orders on them, but are not necessarily being maintained. Warehouses and factories are crumbling. It is sad that history is being lost.

 

Started again

I’m just starting a painting about 2ft by 2ft 6 inches.

It’s a view of the Spode site looking from the building that houses Hulton Pottery which is a small studio pottery on the Spode site, looking down the run of buildings then on to the iconic Spode Chimney that stands high above the site.

Spode is changing, parts have been demolished, other parts will be gone soon. However new people at moving into the studio’s on the site. Together with the visitor centre and the hotel it is becoming more vibrant and interesting.

Hopefully the weather won’t get too cold this winter, that’s what really puts me off going. I have a studio but my mind isn’t on things really. I have found it really hard to get motivated but perhaps I have turned a corner…..

So I will leave you with the beginnings of a painting..with luck I can get it finished soon.

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