An oil 40 years on

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Forty years ago I painted my partner and I still have the painting (and him).

It’s oil on canvas. The shine at the base was because there is a table lamp in front of it.

It must have been snowing as the background view shows white covered  hills outside.

I used to stretch my own canvases, then prime them with white emulsion paint. Oils also require turps or substitute turps and linseed oil to thin the paints down and create glazes.

I found that they were more workable because they stay wet for days. You can cover an oil painting up with cloth and it will still be workable a day or two later.

I wonder what my art would look like if I still used oils.

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A small amount of progress

I thought I would post this progress picture even though I haven’t progressed that far since the last one. I do need to change some of the angles. I’m trying to give it a late afternoon glow to brighten the brickwork. I’m going to add some clouds to the sky to give it more depth.

The canvas is about 30 inches by 24 inches. I’m using acrylic again. I need to get some more blue and white for the sky.

Well that’s it for now. Christmas is coming and I’m getting busy, but I will try and post more over the next couple of weeks.

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Finished Owl

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He’s finished ! Took a while….

I have been a bit “off” lately, I’ve wanted to finish a couple of paintings but haven’t felt up to it. To do art you have to concentrate, work out what you are doing, then act on it. I could think what I wanted to do but could not do it. I think I had been working so hard towards the two craft fairs I did a couple of weeks ago that I had run out of steam. So it’s good to be able to paint again. I love this little owl, he’s only tiny but I think he’s a real character. He should be going to a new owner today.

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Paintbrushes

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I was discussing paintbrushes with someone painting gold onto ceramics this week and he said he used a very fine sable brush to get a good point and build up the yellow glaze that goes underneath the gold.

I also watched a friend painting. She was using acrylics and trying to shape some pointed areas on the painting. I looked at the brush she was using and she had a square chisel shaped brush. Although she was turning the brush on its side she could not get a good point to her painting. I suggested she used a pointed brush but a bit bigger than the tiniest brushes you can use.  This is because you can load up your brush with paint. Draw the point of the brush from the area where you want a sharp angle and then use the body of the brush to fill into the shape as it widens below the point of the shape.

I tend to use blunt ended square brushes to fill in larger areas, or shape bricks etc. I use long thin brushes to try and paint straight lines. These also allow you to load a brush and keep going so the paint does not run out too quickly.

You can also use a brush when the bristles split to paint things such as feathers and hair and fur.

My favourite brushes are made with a type of plastic bristles. They tend to keep their shape and point better. Hair brushed like hog, sable and other animal hairs can be good. But it depends on how strong they are and how they are used. I sometimes repoint my brushes by putting them in my mouth and pulling them through my lips. Not recommended if you use oil paint and always make sure they have been washed clean first.

Some hair brushes immediately look like they have been electrocuted .. You know, all the hair sticking out. It’s really annoying. Or the brush bends one way instead of staying straight and keeping a nice point. Sometimes one or two hairs escape and you can get extra lines paralleling where you are painting. This can happen if you wash a brush out and leave it in the water. Just rinse it out, wipe it with tissue and put it back in your paintbox or wherever you store your brushes. If there are a few small hairs frizzing out from the brush don’t try and pull them out, just clip them off with sharp scissors. You can continue to use the brush and don’t have to throw it out.

Please don’t store brushes in a tin point down! You might have some expensive sable brushes but storing them like that. Sometimes in water! That will ruin them. If you have to store them in a water pot, empty the pot, rinse and dry the brushes and store them bristle end up.

Brushes do wear out, and eventually you cannot use them for details. But they are expensive equipment so don’t throw them away. Try using them for when you are roughing out a painting. Or even if you have a particular shape to paint, like a leaf, you can use a misshaped brush for those areas.

When washing brushes I just use clean water for water based paints. I rinse them thoroughly until the water runs clear. With oil paints I tend to rinse them first in turpentine substitute and then use a small amount of household detergent and warm water. I find rubbing the bristles in the palm of my hand is less damaging than trying to rub the paint off in the bottom of a sink.

Wow I know more about brushes than I realised!

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Little Owl

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I’m painting a Little owl for a friend. I started it on Saturday, and need to get it finished. 

I think these are the smallest owls found in Britain. 

I love the piercing eyes, the ruffled feathers. I’m adding Holly in the background to make it more seasonal. It’s another acrylic on canvas, which I find works best for me with this type of subject. 

It’s a commission and already sold so I had better get a move on and get it finished. 

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Small Little Owl

1544289754333-448696886this is another work in progress. Little owl, acrylic on canvas.

The smallest species of owl in the country I think. I’m adding holly branches to make it more seasonal.

The picture is about 6 inches by 4 inches. I want to work on the feathers and legs and feet.

Those eyes look like they  are about to blink at me, and I can imagine the soft but strong feathers fluffed up against a north wind…

As the nursery rhyme goes. .

The North Wind shall blow,

And we shall have snow,

And what shall poor Robin do then?

Poor thing!

He’ll sit in a barn,

And kerp himself warm,

And tuck his head under his wing

Poor thing!

Illustrations

I did a series of illustrations for the canal and rivers Trust a couple of years ago. They were included in a leaflet about James Brindley the canal builder.

Each illustration was acrylic paint on watercolour paper because I wanted a more opaque picture than with watercolours. Each one was in an oval or round frame.

I wish I had a copy of the leaflet but I think they all went..

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More scenery

Continuing the travel theme for the panto. I finished a picture of the pyramids and the angel of the North.

The photos I’m working from are good because they have lots of contrasting orange and blues.

I’ve got the panels propped up on a chair with a cloth over it. This means it’s hard to get at the bottom of the boards

Anyway 5 down, lots more to go!

Sad loss

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I have just learnt of the sad loss of one of the nicest people I ever met.

Enos Lovatt was born in 1937 and died yesterday of pneumonia after being diagnosed with alzheimers disease a few years ago.

He was a contemporary of and studied painting in the same group as David Hockney.

I wish I knew more about him. He was a lovely person and I had the luck to have him as one of my tutors at the North Staffs polytechnic. I think he was on the interview panel that offered me a place on the Fine Art course there.

Enos was then living in Wolstanton and on one occasion I had the privilege of visiting his house with other students. The house was full of wonderful, colourful paintings. I remember some of them being stacked up the stairs.

I lost track of him after finishing college but he continued to paint and I went to see an exhibition of his painting a few years ago at Burslem School of Art. It was there that I heard he had been diagnosed with Alzheimers disease. I know he then moved away to be closer to his family.

I regret not talking to him more. He, like another of my tutors,  Arthur Berry, was an inspiring teacher. I am sad to hear that he has passed away.

The painting in the photo is one of his still lives. I’m glad I have it as a memory of him.

Blue show

Blue has been chosen as a theme for an exhibition at Spode in the new year. The plans are only just in the pipeline. But the theme means that artists will only be using a true blue, no turquoise or violet.

Other colours allowed are white, grey and black.

I have plans, I have an image in mind. Possibly two, and in totally different directions. I’m also thinking of going large.

I think it will be fun and challenging. Once I find out more I will post more information.