A small amount of progress

I thought I would post this progress picture even though I haven’t progressed that far since the last one. I do need to change some of the angles. I’m trying to give it a late afternoon glow to brighten the brickwork. I’m going to add some clouds to the sky to give it more depth.

The canvas is about 30 inches by 24 inches. I’m using acrylic again. I need to get some more blue and white for the sky.

Well that’s it for now. Christmas is coming and I’m getting busy, but I will try and post more over the next couple of weeks.

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Mystery plays

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This is an old mug from several years ago, but it’s special. Why? The little boy tackling the puppet Goliath just turned 21. For a community group that’s pretty good going. I think next year will be our 15th year and 14th production.

So when I saw it was “David’s” birthday today I just had to fish it out of the cupboard and post the photo on line. Apologies for any copyright infringement but I’ve kept the mug for about 13 years and I wanted to share with him.

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Paintbrushes

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I was discussing paintbrushes with someone painting gold onto ceramics this week and he said he used a very fine sable brush to get a good point and build up the yellow glaze that goes underneath the gold.

I also watched a friend painting. She was using acrylics and trying to shape some pointed areas on the painting. I looked at the brush she was using and she had a square chisel shaped brush. Although she was turning the brush on its side she could not get a good point to her painting. I suggested she used a pointed brush but a bit bigger than the tiniest brushes you can use.  This is because you can load up your brush with paint. Draw the point of the brush from the area where you want a sharp angle and then use the body of the brush to fill into the shape as it widens below the point of the shape.

I tend to use blunt ended square brushes to fill in larger areas, or shape bricks etc. I use long thin brushes to try and paint straight lines. These also allow you to load a brush and keep going so the paint does not run out too quickly.

You can also use a brush when the bristles split to paint things such as feathers and hair and fur.

My favourite brushes are made with a type of plastic bristles. They tend to keep their shape and point better. Hair brushed like hog, sable and other animal hairs can be good. But it depends on how strong they are and how they are used. I sometimes repoint my brushes by putting them in my mouth and pulling them through my lips. Not recommended if you use oil paint and always make sure they have been washed clean first.

Some hair brushes immediately look like they have been electrocuted .. You know, all the hair sticking out. It’s really annoying. Or the brush bends one way instead of staying straight and keeping a nice point. Sometimes one or two hairs escape and you can get extra lines paralleling where you are painting. This can happen if you wash a brush out and leave it in the water. Just rinse it out, wipe it with tissue and put it back in your paintbox or wherever you store your brushes. If there are a few small hairs frizzing out from the brush don’t try and pull them out, just clip them off with sharp scissors. You can continue to use the brush and don’t have to throw it out.

Please don’t store brushes in a tin point down! You might have some expensive sable brushes but storing them like that. Sometimes in water! That will ruin them. If you have to store them in a water pot, empty the pot, rinse and dry the brushes and store them bristle end up.

Brushes do wear out, and eventually you cannot use them for details. But they are expensive equipment so don’t throw them away. Try using them for when you are roughing out a painting. Or even if you have a particular shape to paint, like a leaf, you can use a misshaped brush for those areas.

When washing brushes I just use clean water for water based paints. I rinse them thoroughly until the water runs clear. With oil paints I tend to rinse them first in turpentine substitute and then use a small amount of household detergent and warm water. I find rubbing the bristles in the palm of my hand is less damaging than trying to rub the paint off in the bottom of a sink.

Wow I know more about brushes than I realised!

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Snow on snow

I love snow, and the music and poetry about it.

I love the poem turned into a carol which is “in the bleak mid winter”. Written by Christina Rossetti, the wife of the Pre-Raphaelite painter Dante Gabriel Rossetti.

Snow is beautiful, in its hexagonal form, with amazing patterns that scintilate in the sunlight. There is also powder snow which I think is drier and forms in colder temperatures. I think there are other types but I’m not sure what they are like.

I’m no expert, I don’t know enough about snow. I do know it forms layers on mountains and hills and there are places in the snow that can form weak points so a horizontal layer of snow can slip and cause a massive avalanche.

The colours of snow can also be surprising. Shadows in snow can be very blue.  Look at paintings of snow and you will see beautiful renditions of it. I would like to be able to paint something like that.

Well this is not as interesting as I would like…..but it’s late  I might write a bit more later…

Drawing emotions

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Sad or sadness?

Down turned mouth and soulful eyes,

A flicker of tears moisten the lashes.

A sigh finds its way stifled by closed lips.

What made that face?

A drawing application,

Or my thoughts dragged from finger to screen.

A digital frown of sorrow….

A sigh finally escapes.

No I’m not feeling sad but I just thought I would try and draw emotions. I would like to do a series of simple pictures to express different feelings.

Palette pattern

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I do love the colours that lie underneath the paint layer on my palette. If you use acrylic paint just try peeling the paint layer off carefully. You might be surprised what you find underneath. Colours that clash or harmonise. This works with Acrylics. It won’t work with watercolours and I think that oil paints would still be wet underneath.

You could take a photo of the outcome and play with it as I have.

Is this art? I don’t know, it’s related to art. If I did a series of these by creating new patterns, or photographing every palette I guess I could say it was art. Maybe a type of painting or even fluid art? I’m not sure.

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Little Owl

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I’m painting a Little owl for a friend. I started it on Saturday, and need to get it finished. 

I think these are the smallest owls found in Britain. 

I love the piercing eyes, the ruffled feathers. I’m adding Holly in the background to make it more seasonal. It’s another acrylic on canvas, which I find works best for me with this type of subject. 

It’s a commission and already sold so I had better get a move on and get it finished. 

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Small Little Owl

1544289754333-448696886this is another work in progress. Little owl, acrylic on canvas.

The smallest species of owl in the country I think. I’m adding holly branches to make it more seasonal.

The picture is about 6 inches by 4 inches. I want to work on the feathers and legs and feet.

Those eyes look like they  are about to blink at me, and I can imagine the soft but strong feathers fluffed up against a north wind…

As the nursery rhyme goes. .

The North Wind shall blow,

And we shall have snow,

And what shall poor Robin do then?

Poor thing!

He’ll sit in a barn,

And kerp himself warm,

And tuck his head under his wing

Poor thing!

Illustrations

I did a series of illustrations for the canal and rivers Trust a couple of years ago. They were included in a leaflet about James Brindley the canal builder.

Each illustration was acrylic paint on watercolour paper because I wanted a more opaque picture than with watercolours. Each one was in an oval or round frame.

I wish I had a copy of the leaflet but I think they all went..

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More scenery

Continuing the travel theme for the panto. I finished a picture of the pyramids and the angel of the North.

The photos I’m working from are good because they have lots of contrasting orange and blues.

I’ve got the panels propped up on a chair with a cloth over it. This means it’s hard to get at the bottom of the boards

Anyway 5 down, lots more to go!