New paintings and regular art updates.
An experimental painting, acrylic on canvas, using drops of paint spread with a} pallette knife. Each colour was put on one at a time, spread, then the next colour and so on. The paint was reasonably thick so I then swirled the colours with the pallette knife and pulled curved lines through the paint. I’ve called it flowers reflected.
#bandofsketchers prompt for Thursday was Cutter. I hope this is a cutter? In April I did a tall masted ship drawing on the theme Voyage. A friend saw it and wants a painting of it. This is my work in progress that I thought fits the prompt cutter…acrylic on canvas.
Painting from eight years ago, it came up on my Facebook page. I don’t know if I’ve ever posted it here.
Autumn Woman
When the leaves fall
From under leaf litter
You will slowly crawl.
Gleaming colours
Red, gold, green,
Are soft or brittle
A seasonal scene.
Then mists and fruits
Make subtle colours
And Autumn woman
Finds her full power.
This weekend at Etruria Industrial museum, steaming the Princess engine. Pleased they’ve used my painting of it to publicise the event. (28 and 29 Oct 2023). I think the opening times are on their Facebook page.
The industrial museum includes Jessie Shirley’s bone and flint mill. The Princess engine is a beam engine that ran the belts to grind the flint in large floor pans in the adjoining building. It’s steam powered and runs by using a beam to rock up and down like a seesaw. This uses steam to push a valve down and then the vacuum created pulls it up again. I’m not an engineer, but you could come and see it running.
Etruria Industrial museum
Kilndown Close
Etruria, Stoke on Trent
Staffordshire.
(on the Trent and Mersey canal).
Old paintings I gave a friends daughter when she went to university. I have no idea where they are now. Small square canvases about 6 x 6 inches. Acrylic on canvas, Depicting the Sun and Moon. I may do some similar ones and add a star one. They were fun to do
Every so often I paint one of the iconic bottle ovens from Stoke-on-Trent. These were where pottery was originally fired with coal fires. The city would be covered by a pall of thick smoke, morning noon and night.
They sometimes had metal bands wrapped round them to strengthen them, and the old bricks can shine like gold when there is a lovely sunrise or set. Arthur Berry, famous artist of Stoke-on-Trent used to speak about the beauty of the potteries towns. He painted and drew abstracted views of the six towns. He’s known as the potteries Lowry.
This painting is of a derelict oven, I’ve painted clematis growing up it, rewinding the ancient landscape. The blue area represents the local canals, it’s shape mirrors the bottle oven. The flowers in it represent the abstract canal roses that are found adorning canal barges throughout Britain.
A painting I did in situ in a house in Robin Hoods Bay in Yorkshire about 7 years ago. We were away on holiday and we’re impressed by the house which had it’s living room at the top of the building to give views of the cottage rooves and the sparkling sea in the distance. Sometimes I want to visit there again. .
Another painting of the Devon coastline. This is an old photo and I don’t know if I painted it in dark tones or if it was taken in a dark area. The headland in the distance gives you an idea of Devons rolling hills. It’s similar in Cornwall, hills that are rounded, climbing up to the moors. Dartmoor and Exmoor being two of them. Also in the foreground you can see golden sands surrounded by the dark jagged rocks that you see at many of the coves in the two counties. I hope I can visit again soon.
Acrylic on canvas. Devon beach and rocks on an overcast day. I think its near Plymouth, but the painting is probably 20 years old.
The rocks on this part of the coast are dark and craggy. The water makes them darker, with a slight glint to them. They form layers that slope down into the water and there are plenty of rock pools with barnacles and limpets. There might be small crabs lurking under seaweed in them. Between the rocks the sand is sandy coloured (goldish grey). With flat flakes of rock and stones and pebbles in discreet lines rolled into place by the tides. There are also strands of seaweed left at high tide where sand flies and sand hoppers dwell.
All this rembered because I painted the view.
Tell us about the last thing you got excited about.
A couple of weeks ago I was excited that one of my paintings would be entered into an astronomy competition. A magazine wanted to see people’s artwork so I sent in this image. Then I got a message asking me to send in again with a jpeg (it was) as an attachment (my phone sends the image embeded in the email).
I tried again, it did the same trick. I started to walk upstairs to send the image on my PC instead. Snap! That was when my ligament snapped.
Of course I emailed to apologise and explain. I also asked if they had anyone technically able to get the file as I only have my mobile to use as I’m stuck downstairs! I’ve had no response, no reply. I feel dismissed and fed up. Excitement, what excitement?
Mallaband-Brown