New paintings and regular art updates.
Hard work, but I think it was worth it. I think some of my paintings are like knitting or embroidery, pulling all the threads together to bring it to a finished piece. And sometimes it’s knowing where to stop, to feel satisfied. Sometimes my hubby says I overwork things, but I think I know where I am with this. I decided not to add any bees or butterflies, I think that would just distract.
I turned my painting upside down because I’m struggling to reach the top with my aching and shaking arms. I’m working on the background. But it also helps me see shapes and tones and proportions. I need to decide if I want the background to be blurry? Perhaps I should change my brush size and try and blur the edges. I will turn it back in a while….
I am painting again. I’ve spent a few hours on this and it’s about a quarter done. I want to get it finished quickly because it needs taking in to the gallery, but I want to make sure it’s a good job. I’m layering u the flowers and I will be adding vegetation growing in front to give it more depth soon. I have to stand back from it to check how it fits together. But is it too busy?
Poppies and other flowers, I started painting this a few days ago and am trying to make progress. The flowers and tangle of vegetation is based on a photo I took at Trentham Gardens this summer. I hope it can be a meditative piece for a quiet room at the gallery which I have work in. I’m going to press on with this, it’s keeping my mind off things.
I’ve started working on a painting of flowers in a meadow. I am not including the sky, I just want to concentrate on the flowers. I’m afraid I don’t know the names of all of them. I want the image to look realistic and hopefully beautiful. It’s about two feet by one and a half. It will be acrylic on canvas.
Painted this today, only 5×5 inches. I might add more to the background. It’s meant to have droplets of water (like tears) on the petals. I’m also trying to emphasise the flower with a strong red but I don’t know if I should darken the greens. Still I have at least painted again.
I painted this a few years ago, it’s based on a poppy with a white centre. Most poppies have dark splodges in the centre. I think this looks more subtle. I’m toying with the idea of painting a mixture of both on a larger canvas? The background would be greens and straw coloured. Got to possibly block out or draw out their positions and then maybe add some forget-me-nots.
I feel guilty that I haven’t painted. I think I need to get my brushes out. Painting is my reason for being. It’s not negotiable, I have to paint, or at least draw. It will happen, I’m just not sure when. As the days get darker I always find it more difficult, especially painting under artificial light. By the way, I must have a hundred brushes around the house, I think they multiply when I’m not looking!
I was looking for an image to use for this post and found this. Where the light through prisms in the mobile in my window was casting rainbows on these brushes. I hope I don’t get artists block, sometimes I just can’t paint…
This was a fun challenge, when members of the Orme Art Group collaborated to produce this image. I’m glad I didn’t have the task of fitting it together. I hope we do another one of these again soon.
During lock down last year, members of the Orme Art Group collaborated in recreating this Cezanne still life. We took a square each and copied what we saw in whatever medium we liked. Some of the images were smaller or larger than others so when the picture was put together not everything lined up. Also the colours vary because each artist was working to their own image colour settings. I think the resulting collage is rather good. We did several separate challenges like this over covid.
Mallaband-Brown