Writing workshop.

What a hot day to get up early and go to a poetry writing workshop. Hosted at BArts in Hartshill, Stoke-on-Trent.

Our writer had come up from Birmingham for the day. She beat boxed the sound of a thudding heart as she talked about nerves and performance anxiety. Then we did a series of tasks. First of all we split into groups of two and interviewed each other about our personality and likes and dislikes. I came up with things about whistling my cats or that I would fight off zombies with an umbrella!

Then we made up a poem with the phrase he/she/they are then the words we had answered with… It was interesting.

She is sponge

She is fighting with a brolly

She is fish and chips…..

It was strange but funny a bit bizarre.

We did more but I’m too tired and hot to remember!

Seascape

Painting of a seascape done at a Jo Watson workshop. It’s not finished but I ran out of time. The top photo was taken in bright sunshine, the second at home in a darker space. Interesting how the second one has warmer tones, but it’s exactly the same painting. I went a bit Bob Ross, but I’m after more of a Turner feeling. Acrylic, ink, emulsion on canvas. Using brushes, palette knife and scraper card. Although I might have added orange later.?

Pottery fun

Hope this will be a feature for my garden. Just made today, a planting pocket at a BCB workshop in stoke. Really enjoyed it. Now waiting for firing. The blue and orange are slip colours, there’s a little cat scratched into the left bottom corner. The black and white patch is newspaper holding the planting pocket open until the clay is hardened. I used leaves impressed in the surface for the design but the wet slip obliterated a lot of the details so then I scratched them back into the surface.

Can you act?

I treated myself to an acting workshop for my birthday. It was a bit of a random choice, but I’ve found myself stuttering more since I got Parkinsons disease and I thought it might help my concentration and confidence.

Luckily some of my friends were also there which made me feel less anxious. We started out being given various exercises. First we had to look at someone in a large circle of people and then point at them. The person had to say ‘yes’ which gave the person pointing permission to walk over to them. In the meantime that person had to point to someone new, be acknowledged with a yes and then move on.

It wasn’t complicated, but it was hard to get your head round. It’s hard to just explain it. A few people said yes and started moving themselves instead of waiting for the other person to move. We eventually went on to counting, so it was like a moving conversation with numbers instead of words. Confusing for some, and hard not to make mistakes.

At the half way point we were given short pieces of dialogue. We were then split into groups of two and asked to read through the scripts and pick out concrete facts, not opinions. So you could say those facts could ground the performance, whilst opinions in the scripts could change how you felt about your partners character.

The whole workshop showed how important listening and reacting to another actor is. I don’t know if it helped my confidence but I have to say I enjoyed it. It was run by Claybody Theatre, based at the Dipping House, at Spode Works, Stoke, Stoke-on-Trent.

Palette knife workshop

I went to a palette knife workshop today. The subject was a painting of rocks amid heather on local moorland.

This is my piece, I just want to add some shadows to the white cotton grass at the bottom. We started with a lime green acrylic wash to knock back the white of the canvas board, then we had to outline the rocks. We painted the top part softly with a brush and added in pink tones at the top and pale green grass with hedges painted in gently,

Then we started with the palette knives. The small pallet knife to shape and layer the rocks and then a bigger palette knife for the grass and finally blacks purple, red and pink for the heather. You have to use the sides or flat of the knife to get various textures.

It was a really enjoyable workshop with a teacher called Jo Watson. The workshop was with the Orme Art Group.

#bandofsketchers prompt was experience. I had the experience of doing this. I think the painting we worked from might have been Derbyshire or Staffs moorlands?

Yin yang cats

My attempt at wax resist printing that I did with the brilliant Belinda Latimer a few years ago. I enjoyed trying to do Batik in her workshop, creating layers of colour. I also did a print of a couple of fish that I called Pisces had framed in a deep wooden frame. Another example of my experimental art practice.

Glass

Glass pieces waiting to be fused.

A few years ago I went to a fused glass workshop. I made glass cabochons that were then surrounded by wire woven to support them. The result were some amazing and bold necklaces.

The artist that ran the workshop was called Angela Ashton. And my friend Deborah Travis did the wire weaving so the results were really a good collaboration. I found this on Facebook memories and I really wish I could do it again, although Angela moved back up to the North East Coast I did find someone else who does workshops, the only problem now is the cost and I’m sure with the price of fuel these days the process won’t be cheap.

Two years ago

Two years ago I was at a workshop. I was making a peice of a flag to celebrate Philip Astley inventor of modern circus born 1742, in Newcastle under Lyme. Belinda Latimer ran the workshop. Good fun to try a different craft. I don’t do much sewing or embroidery so this was quite enjoyable. I used a sacking type of cloth on top of a type of canvas cloth. I never did see the finished flag as there were different workshops to bring it all together.

Glass star

Small pieces of coloured glass embedded in diamond shaped clear glass which is joined at the centre to form a star. This is an example of fused glass which my hubby made at a workshop a couple of years ago. This summer it’s been outside in the garden but I will bring it back in and hang it in a window when the weather starts to get frosty. I don’t know whether it would break in the cold but I would like to keep it safe. Its about the pleasure of making things and the memories of the friendly people who were there that adds to the experience. Made in a group led by Angela Ashton. Glass artist.