I love the colours in this photo which I took at the British Ceramics Biennial held in Stoke-on-Trent last year.
I like the triangular patterning on the body of the pot, and the shape of is neck. I think the blue glaze is painted by hand. I love it. The yellow table surface is a brilliant contrast, making the pot stand out well against it. These primary colours are a lovely combination.
These are my pottery pieces from the BCB, British Ceramic Biennial that is on at the China Halls at Spode until this weekend.
The two pieces are an ironic and unique take on staffordshire pottery flatware (with flat backs).
The first is a boat with Trumps head in it, feet in boots or socks heading in the other direction. There is a happy lion on the prow and the crucifixion at the top with people weeping on either side. Barrels and boxes are piled up at the stern where a white sale flaps in the wind. A monkey sits above the prow watching the scene. I named it Trump mania.
The second piece is called OMG, a couple stand caught in horror as something catches their eyes. Their hands over their mouthed in shock. I enjoyed adding details to the figures. I realise these are not the run of the mill figures, that is why it was even more fun.
I got this Brown Betty teapot from Cherished Chimneys in Longport in Stoke-on-Trent. Its a traditional shape and colour. Apparently they keep tea warm for longer.
Cherished Chimneys have a teapot exhibition in their building (they actually mainly sell reclaimed chimneys) we had fun choosing the teapot from them.
We had been in the Waiting room gallery across the road at a Macmillan coffee morning to raise funds for their cancer care support work. A very good cause. Then we went to Bread in common, an artistic cafe that bakes bread and also cooks vegetarian food on a Fridays. Then to the British Ceramic Biennial in the afternoon. All in all a very busy day.
Then when we got home I did a few more tiny paintings, but that’s another story….
The British Ceramic Biennial has some hands on workshops that are free and open to the public. Last week I made a flat back pot using a mold of a boat with Donald Trumps head in profile and a pair of boots walking in the other direction. There is also a lion with a union jack, a monkey, and other figures and plants. There are other pots shown above. Each of them has been designed by an artist, so they are possibly controversial, maybe a bit tongue in cheek.
Today I painted glaze on my pot that had been fired. I didn’t remember to take a photo of it, but I have taken photos of some of the larger pieces now they have finally been fired.
I’m glad I had a go, it’s definitely worth a visit.
We went to the British Ceramic Biennial today, at the Spode Site in Stoke, to glaze a piece of pottery I made last week. The weather was very bad and we got soaked on the way into the exhibition. When we came out the rain had cleared up and the sun was out. I took some photos of the wet surfaces. It’s always good to notice changes caused by weather conditions and variations in lighting.
Dust rising (or Dust 19) is a group show by artists being held at Spode alongside the British ceramic biennial which is currently on till mid October.
This is me with one of the plates that have been created out of transfer prints. (if you look over my left shoulder the green patterns on the window are where the image comes from).
It’s amazing what’s going on here. We might be a bit down in the dumps but Stoke-on-Trent is so full of creativity. There is still a full time Fine Art course at Staffordshire University which is quite unusual in the current economic climate.
Stoke-on-Trent is situated in the middle of beautiful countryside. You can’t complain if you want places to visit.
Too much to see! There were many interesting and beautiful pieces at the BCB (British Ceramic Biennial) being held in Spode over the next four weeks, ending I think on 14 October. The BCB sees the China Halls at Kingsway Stoke taken over and turned into a massive gallery to showcase ceramics, with hands on experiences making solid flat back figures and more abstract work.
There is also access from the Eleanora Street entrance of Spode. Useful to know if the car park in front of the building is full.
It’s great to see this asset being used and bringing much needed visitors into Stoke Town centre.