New paintings and regular art updates.
A favourite painting done seven years ago. It was called Autumn Woman and was snapped up by an old friend. I like slightly surreal images, thinking about traditional art and giving it a slight twist. I may do a painting that includes leaves and fungi using this as an inspiration. I’m so happy with the colour combinations, I forgot that you can include blue as an autumnal colour.
I decided to do a bonus small painting to go with my bigger close up of a poppy. It’s called red poppy. It’s hard to come up with an original title. Lots of red used in these but I’ve tried to vary them and give that wrinkled feeling that poppies have.
Work in progress. I want to try and get more realism into this. It’s based on a previous painting, but I decided to try and get in closer and give a finesse to the petals texture and the central structure of the poppy. I’ll post again when it’s finished.
One of the hazards of painting is getting covered in paint! I stuck my thumb in my pallette and splodge, all over my thumb. Luckily I didn’t get any on my clothes! I can wash acrylic off my hands, but once it’s dried it’s impossible to get out of your top or trousers. Oil paint can sometimes be removed as it’s slow drying and you can use thinners to remove it, but once acrylic is dry it’s solid like plastic. You might be able to peel a bit off but it gets in between the fibers and sticks. Anyway, I love this colour blue. Ultramarine? Not sure….
Hard work, but I think it was worth it. I think some of my paintings are like knitting or embroidery, pulling all the threads together to bring it to a finished piece. And sometimes it’s knowing where to stop, to feel satisfied. Sometimes my hubby says I overwork things, but I think I know where I am with this. I decided not to add any bees or butterflies, I think that would just distract.
I turned my painting upside down because I’m struggling to reach the top with my aching and shaking arms. I’m working on the background. But it also helps me see shapes and tones and proportions. I need to decide if I want the background to be blurry? Perhaps I should change my brush size and try and blur the edges. I will turn it back in a while….
I am painting again. I’ve spent a few hours on this and it’s about a quarter done. I want to get it finished quickly because it needs taking in to the gallery, but I want to make sure it’s a good job. I’m layering u the flowers and I will be adding vegetation growing in front to give it more depth soon. I have to stand back from it to check how it fits together. But is it too busy?
Poppies and other flowers, I started painting this a few days ago and am trying to make progress. The flowers and tangle of vegetation is based on a photo I took at Trentham Gardens this summer. I hope it can be a meditative piece for a quiet room at the gallery which I have work in. I’m going to press on with this, it’s keeping my mind off things.
I’ve started working on a painting of flowers in a meadow. I am not including the sky, I just want to concentrate on the flowers. I’m afraid I don’t know the names of all of them. I want the image to look realistic and hopefully beautiful. It’s about two feet by one and a half. It will be acrylic on canvas.
I painted this a few years ago, it’s based on a poppy with a white centre. Most poppies have dark splodges in the centre. I think this looks more subtle. I’m toying with the idea of painting a mixture of both on a larger canvas? The background would be greens and straw coloured. Got to possibly block out or draw out their positions and then maybe add some forget-me-nots.
Mallaband-Brown